On its fourth studio album Some Great Reward<\/i>, Depeche Mode shows clear indications of the direction its subsequent records would take. Possessing the most industrial sound of all of DM\u2019s albums released till that point, Reward<\/i> is dark and sophisticated.<\/p>\n
Barring the Martin Gore-sung cheesy love ballad \u201cSomebody,\u201d the rest of album is powerful and edgier than any of DM\u2019s earlier works. Be it the raunchy and perverted \u201cMaster And Servant\u201d or \u201cBlasphemous Rumors,\u201d with its morose intelligently cynical lyrics, Gore displays a new degree of maturity in his songwriting, which would further develop and morph into darker forms on ensuing records. \u201cPeople Are People,\u201d one of DM\u2019s few socially aware songs, makes a strong statement with its snazzy beats and anthemic chorus even with simple lyrics.<\/p>\n
Going beyond the album\u2019s chart-toppers, the rest of Reward<\/i> is solid as well. \u201cSomething To Do,\u201d \u201cStories Of Old,\u201d and \u201cIf You Want\u201d are gothic and gloomy, with hard-hitting beats and heavy industrial sound effects adding great punch. There is almost no sign of the poppiness of the early-day Depeche Mode on this album.<\/p>\n
The bonus DVD of the 2006 reissue follows the same pattern as DM\u2019s other reissues: A 30-minute film about the making of the record and the whole album in PCM Stereo, Dolby Digital 5.1 Surround and DTS 5.1 formats. In addition, it has live versions of five of the album\u2019s songs and a few bonus tracks. With the exception of \u201cIf You Want,\u201d the other four live cuts, \u201cPeople Are People,\u201d \u201cSomebody,\u201d \u201cBlasphemous Rumors\u201d and \u201cMaster And Servant\u201d can be found on the band\u2019s 101<\/i> live album, and in fact sound not much different from their versions on 101<\/i>. If anything, they sound less mature here. <\/p>\n
The bonus cut, \u201cIn Your Memory,\u201d shares the industrial sound of the rest of the album, whereas \u201c(Set Me Free) Remotivate Me\u201d is poppy and playful, much like DM\u2019s older stuff. \u201cSomebody (Remix)\u201d is a big let down, as one would expect a remix of DM\u2019s only acoustic cut to have beats and the whole shebang, but disappointedly this one sounds almost like the original version of the song.\u00a0\u00a0 <\/p>\n
The 30-minute movie \u201cDepeche Mode 1984 (You Can Get Away With Anything If You Give It A Good Tune)\u201d consists of interviews with the band members and a few others involved with the band in the making of this album, sharing interesting little stories about the making of Reward<\/i>. Also included are interviews with Alan Wilder, who shares his experiences during the album\u2019s recording, like how while recording \u201cSomebody\u201d with Martin Gore he had to play the piano facing the other way because Gore decided to sing the song without any clothes on.<\/p>\n
This reissue is definitely worth the extra bucks. There is enough in the packaging (the booklet is full-fledged, complete with lyrics, photos and a note from producer Daniel Miller about the album) and the DVD to please even the casual DM fans. <\/p>\n
In the league of classic DM records, Reward<\/i> might not top the list. But it surely paved the way for the dark image that the band would later embrace. This record is the birth of Depeche Mode as we know them today.<\/p>\n","protected":false},"author":40,"featured_media":28657,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6979],"rating":[5617],"class_list":["post-40143","review","type-review","status-publish","has-post-thumbnail","artist-depeche-mode","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/40143","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/40"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=40143"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/40143\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28657"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=40143"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=40143"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=40143"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}