{"id":40188,"date":"2007-03-04T00:00:00","date_gmt":"2007-03-04T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/dream-of-the-blue-turtles\/"},"modified":"2007-03-04T00:00:00","modified_gmt":"2007-03-04T00:00:00","slug":"dream-of-the-blue-turtles","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/dream-of-the-blue-turtles\/","title":{"rendered":"Dream Of The Blue Turtles"},"content":{"rendered":"<p style=\"margin: 0in 0in 0pt\" class=\"MsoBodyText\">\u201cFree free, set them free\u2026\u201d. Ah, the sound of the \u201880s. So begins the debut album by Sting, former member of The Police.<\/p>\n<p>In bringing elements of jazz and classical music into the mix, it is fairly obvious Sting is intent on distancing himself from that previous phase of his career. He doesn\u2019t abandon the Police formula completely, however, as the closer \u201cFortress Around Your Heart\u201d sounds eerily like a clone of \u201cKing Of Pain\u201d and \u201cWrapped Around Your Finger\u201d from <i>Synchronicity<\/i>. <\/p>\n<p>Still, <i>The Dream Of The Blue Turtles <\/i>is about as good as it gets from Sting.\u00a0 The two best Sting singles worth mentioning are \u201cIf You Love Somebody (Set Them Free)\u201d and \u201cRussians.\u201d The former has a great live feel, while the latter has a dark, serious tone and is set to a haunting string symphony. <\/p>\n<p>The other two hits on this album aren\u2019t too shabby, either. The happy and light \u201cLove Is A Seventh Wave\u201d is a welcome return to Sting\u2019s reggae roots and \u201cFortress Around Your Heart\u201d closes the album as strongly as it began. <\/p>\n<p>The glue that holds all of it together is found in the other six songs. As is typical of most of Sting\u2019s material, it is often dense, challenging and impenetrable, though in this case it is worth the extra effort to sit through it all and even enjoy what you\u2019re hearing. Inspired by Anne Rice\u2019s <i>Interview With The Vampire<\/i>, \u201cMoon Over Bourbon Street\u201d has a smoky texture and is one of Sting\u2019s slinkiest musical moments. In addition, the hypnotic chimes of \u201cWe Work The Black Seam\u201d keep it from becoming disposable filler and \u201cChildren\u2019s Crusade\u201d has a sound that can only be described as triumphant. <\/p>\n<p>The lackluster moments are there, but they are forgivable. There is a reworked version of \u201cShadows In The Rain\u201d from the Police\u2019s <i>Zenyatta Mondatta <\/i>album, which has an improvised jam feel to it. As one of Sting\u2019s loosest moments, it would have been fine if Sting had just left it at that. But unfortunately, he has to follow it up with the pointless and somewhat obnoxious instrumental title track, which is a brief bit of free-flowing jazz gone awry. Another song that just doesn\u2019t seem to go anywhere is the aptly titled \u201cConsider Me Gone.\u201d <\/p>\n<p>One has to wonder whether Sting made the right decision to disband The Police for a solo career.\u00a0 The end of \u201cLove Is A Seventh Wave\u201d even finds Sting looking back with a bitter wink and a nod by crafting some new lyrics for his only number one hit, \u201cEvery Breath You Take.\u201d\u00a0 With lines like \u201cEvery cake you bake \/ Every leg you break,\u201d it tells us all we need to know about how bad the band\u2019s unfortunate breakup really was. And while Sting may have eventually gotten over it and simply moved on, it\u2019s doubtful Police fans like myself ever will.<\/p>\n","protected":false},"author":57,"featured_media":28698,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6137],"rating":[5617],"class_list":["post-40188","review","type-review","status-publish","has-post-thumbnail","artist-sting","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/40188","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/57"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=40188"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/40188\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28698"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=40188"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=40188"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=40188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}