{"id":40217,"date":"2007-03-22T00:00:00","date_gmt":"2007-03-22T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/time-out\/"},"modified":"2007-03-22T00:00:00","modified_gmt":"2007-03-22T00:00:00","slug":"time-out","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/time-out\/","title":{"rendered":"Time Out"},"content":{"rendered":"<p style=\"margin: 0in 0in 0pt\" class=\"MsoNormal\">There wasn&#8217;t a whole lot of innovation that could be brought to the jazz scene in 1959, but pianist Dave Brubeck hit upon an idea that nobody else had thought of during a trip to the Middle East and India.<\/p>\n<p>Playing in a time other than 4\/4.<\/p>\n<p>It may seem laughable now, given the dizzying complexity of some jazz and rock music, but it was a new thing that resulted in one of the most unique and interesting jazz discs released, Brubeck&#8217;s <i>Time Out. <\/i>Seven songs, 40 minutes, and only a small amount in the standard 4\/4 time.<\/p>\n<p>It takes some getting used to, but it is a disc that will stick in your head. Actually, this is the release that got me into jazz; I&#8217;d caught snippets of Coltrane and Miles here and there, of course, but I didn&#8217;t begin to explore the slice of American history until I learned about this in a music class in college.<\/p>\n<p>And what an introduction! Few jazz discs start off with anything as unyielding as &#8220;Blue Rondo A La Turk,&#8221; which is in 9\/8 but not played in waltz time, rather in a 2-2-2-3 format. It&#8217;s an instantly recognizable melody, and not just because it&#8217;s been adapted by artists as diverse as Bette Midler and Emerson, Lake &#038; Palmer for their pieces. The piece slows into a regular 4\/4, which is where Paul Desmond picks up with an alto sax solo, and then the 9\/8 and 4\/4 are alternated to close out the tune.<\/p>\n<p>The best known song, and one of the few jazz &#8220;hits,&#8221; is &#8220;Take Five.&#8221; Never meant to be a hit, drummer Joe Morello steals the show throughout, keeping a tricky 5\/4 time signature until a controlled, intricate solo breaks it up. But listeners will recognize Brubeck&#8217;s quiet piano and Desmond&#8217;s passionate yet simple solo. Perhaps most remarkable is that the song is a mix of swing and jazz and breezes by in five minutes.<\/p>\n<p>Those two make the disc worth buying for any music fan, let alone jazz fans, and the other five songs don&#8217;t stack up to those heights. But by no means are they bad. &#8220;Three To Get Ready&#8221; starts off as a simple waltz but then alternates between 3- and 4-time, never letting the listener get settled in. Had the piece been fully in 4-time, it would have swung like a mother, but this way works too. &#8220;Strange Meadowlark&#8221; is pretty good as well, though suffers when sandwiched between &#8220;Rondo&#8221; and &#8220;Take Five.&#8221;<\/p>\n<p>&#8220;Kathy&#8217;s Waltz&#8221; is a nice tribute to Dave&#8217;s daughter, while &#8220;Everybody&#8217;s Jumpin'&#8221; is about the only song that plays it straight here, at least as straight as something in 6\/4 time can be. &#8220;Pick Up Sticks&#8221; closes the disc by showcasing bass player Eugene Wright, who colors the proceedings far more than Desmond&#8217;s solo. But it is Brubeck who comes through with a long piano solo, closing out with Morello attempting various drum techniques. <\/p>\n<p>The whole of <i>Time Out <\/i>is a successful experiment, and it is not something jazz purists should avoid because of its non-adherence to regular time. In fact, the disc has become a deserved classic that deserves a spot in any basic jazz collection.<\/p>\n","protected":false},"author":45,"featured_media":28724,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7925],"rating":[5617],"class_list":["post-40217","review","type-review","status-publish","has-post-thumbnail","artist-dave-brubeck","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/40217","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/45"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=40217"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/40217\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28724"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=40217"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=40217"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=40217"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}