{"id":40242,"date":"2007-04-12T00:00:00","date_gmt":"2007-04-12T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-search\/"},"modified":"2007-04-12T00:00:00","modified_gmt":"2007-04-12T00:00:00","slug":"the-search","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-search\/","title":{"rendered":"The Search"},"content":{"rendered":"<p style=\"margin: 0in 0in 0pt\" class=\"MsoNormal\">Like Guided By Voices during its heyday or the Cowboy Junkies, the arrival of a new Son Volt album is greeted with a welcome but not treated as an \u201cevent.\u201d It\u2019s one of the prices a band pays for continuously putting out albums that aren\u2019t departures from its previous releases. <\/p>\n<p>In the case of Son Volt, the band took an extended hiatus in the late 1990s and founder Jay Farrar then resumed Son Volt in 2005 with the release of <i>Okemah And The Melody Of Riot<\/i>. Even with a virtually new lineup, the album simply sounded like another Son Volt album, meaning solid, straightforward rock with equally straightforward lyrics. <\/p>\n<p>Son Volt\u2019s latest album, <i>The Search<\/i>, is another in the same vein. It has all the classic Sun Volt elements: Farrar\u2019s grizzled voice, clean, chugging electric guitar and snare-heavy percussion. But on <i>The Search<\/i>, Son Volt has expanded its sound to include keyboard, organ, horns and other elements (e-bow!). On Son Volt\u2019s Web site, Farrar said \u201cWe utilized different instrumentation to fit each song.\u201d <\/p>\n<p>Even with this new palette of instruments, the songs remain solidly rooted in Son Volt\u2019s traditional, country-ish sound. The beautiful opening track \u201cSlow Hearse\u201d recalls &#8217;70s-era Neil Young and \u201cAction\u201d has a very Jayhawks\/Silos vibe. The new blood doesn\u2019t depart much from the sound of Son Volt\u2019s original lineup, even with the addition of ex-Meat Puppets bassist Andrew Duplantis. <\/p>\n<p>Depending on your mindset, Farrar\u2019s lyrics can either be deliberately simple or borderline country rock clich\u00e9, sometimes in the same song. In \u201cMethamphetamine,\u201d Farrar opens the song on a bland note by singing \u201cI took the night shift \/ Another nickel on the dime \/ Time to play it straight, make it different this time \/ Still waiting to meet the next ex-wife.\u201d But he brings the character into three-dimension form with a desperate line like \u201cWould you take me back North Carolina \/ Would you take me back Arkansas.\u201d <\/p>\n<p>\u201cPhosphate Skin\u201d closes <i>The Search<\/i> on a quiet, if unspectacular note. In \u201cHighways And Cigarettes,\u201d the second-to-last song, Shannon McNally lends her world-weary vocals to the song and provides a much-needed standout element to the song. A few moments after \u201cPhosphate Skin\u201d ends, you half expect to hear another track if you\u2019re not keeping tabs on what song is on the album. Instead, you\u2019re left with a slight empty feeling, not necessarily wanting more, just a more solid song to end an album. <\/p>\n<p><i>The Search<\/i> is a worthy addition to Son Volt\u2019s collection. It opens up enough musical avenues for this version of the band to freely pursue. However, for listeners, it can be a frustrating listen as the songs succumb to samey-sounding country rock, despite the addition of new instrumentation. There\u2019s enough here to reveal new surprises on the fifth, sixth and seventh listens, but <i>The Search<\/i>\u2019s biggest problem is getting listeners to come back to that second listen. <\/p>\n","protected":false},"author":7,"featured_media":28748,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7934],"rating":[5619],"class_list":["post-40242","review","type-review","status-publish","has-post-thumbnail","artist-son-volt","rating-rating-c"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/40242","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=40242"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/40242\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28748"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=40242"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=40242"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=40242"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}