{"id":40261,"date":"2007-04-28T00:00:00","date_gmt":"2007-04-28T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-grass-is-blue\/"},"modified":"2007-04-28T00:00:00","modified_gmt":"2007-04-28T00:00:00","slug":"the-grass-is-blue","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-grass-is-blue\/","title":{"rendered":"The Grass Is Blue"},"content":{"rendered":"<p>When it comes to recording cover tunes, nobody does it better than Dolly Parton. In recent years she has dared to remake Collective Soul&#8217;s \u201cShine\u201d and even tackled &#8220;Stairway To Heaven.&#8221;\u00a0 <\/p>\n<p>On her 1999 release <i>The Grass Is Blue<\/i>, there are even more familiar country songs and bluegrass standards that have been given the Dolly treatment.\u00a0 However, it is the four songs that Dolly wrote herself that form the basis for this authentic sounding country album, which was produced by Steve Buckingham. The &#8217;90s couldn\u2019t have ended on a sweeter note. <\/p>\n<p>Dolly\u2019s intention here was to go way back to her childhood, where bluegrass was the only music you could hear.\u00a0 As the music she was brought up with, it really gets to the heart of who Parton is as a person.\u00a0 By the end of this album, she has completely shed her skin and has laid herself bare for the Lord on the absolutely riveting a cappella closer \u201cI Am Ready.\u201d\u00a0 <\/p>\n<p>All the songs that come before help to explain how she got to that point. She starts out with another musical prayer of sorts on the aptly titled \u201cTravelin\u2019 Prayer,\u201d which was penned by Billy Joel (his version can be heard on <i>Piano Man<\/i>). Dolly then takes us on the journey that has been her life, with such bittersweet fare as \u201cA Few Old Memories\u201d and \u201cI\u2019m Gonna Sleep With One Eye Open.\u201d <\/p>\n<p>There is no shortage of emotion that can be found bleeding from every orifice of <i>The Grass Is Blue<\/i>. After all, life is filled with its share of heartache and disappointment. The most tragic and dark tunes are the most surprising ones of all, since they come from Dolly herself. There is barely a trace of the usual bubbly, upbeat and happy Dolly Parton we have all come to love and know over the years. <\/p>\n<p>In wanting to show the world another side of herself, she was determined not to play it safe. As if tongue twisting, rapid-fire delivery of songs like \u201cWill He Be Waiting For Me\u201d wasn\u2019t enough, her potent vocal style on wrenching cuts like \u201cSteady As The Rain\u201d and \u201cEndless Stream Of Tears\u201d are sure to turn on the waterworks for any listener. The heartbreaking title track cements the status of <i>The Grass Is Blue <\/i>as<i> <\/i>my favorite country album of all time. <\/p>\n<p>Knowing she had a good thing on her hands, Dolly followed up <i>The Grass Is Blue <\/i>with two more impressive bluegrass albums, the Irish-flavored <i>Little Sparrow <\/i>and the colorful <i>Halos &#038; Horns<\/i>. She would even get the attention of Sinead O\u2019Connor, who recorded \u201cSilver Dagger\u201d for the Parton tribute album <i>Just Because I\u2019m A Woman<\/i>.\u00a0 <\/p>\n<p>Just last year, the Kennedy Center made Dolly one of their annual honorees. Unfortunately, the decision was made to have \u201cbiggest fan\u201d Jessica Simpson pay homage to Parton with her signature tune \u201c9 To 5,\u201d though it ended up as another onstage Simpson disaster and never made it further than the editing room floor. Maybe there is a God after all.<\/p>\n","protected":false},"author":57,"featured_media":28766,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6780],"rating":[5646],"class_list":["post-40261","review","type-review","status-publish","has-post-thumbnail","artist-dolly-parton","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/40261","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/57"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=40261"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/40261\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28766"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=40261"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=40261"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=40261"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}