{"id":40511,"date":"2007-09-27T00:00:00","date_gmt":"2007-09-27T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-rebellion-is-here\/"},"modified":"2007-09-27T00:00:00","modified_gmt":"2007-09-27T00:00:00","slug":"the-rebellion-is-here","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-rebellion-is-here\/","title":{"rendered":"The Rebellion Is Here"},"content":{"rendered":"<p><i>The Rebellion Is Here <\/i>has an off-the-wall rock mentality, a &#8220;we&#8217;re only in this for the fun&#8221; feeling. Between the band wanting to have a good time and the crowd wanting the same thing, this is simply a fun college rock show.<\/p>\n<p>The wicked cover of &#8220;Pablo Picasso&#8221; blows not only Jonathan Richman&#8217;s original out of the water but seriously rivals David Bowie&#8217;s 2003 take on it. The classic rock of &#8220;Grub&#8221; sounds like an early Aerosmith take and the funky &#8220;Four-Minute Mile&#8221; has Bowie and Chili Peppers influences and some excellent guitar solos. <\/p>\n<p>&#8220;Smoke&#8221; is a bluesy number featuring piano solos; not necessarily original, but a lot of fun and rather unpredictable. Much of the disc is that way, actually, capturing a DYI asthetic by way of arena rock meets the Modern Lovers. <\/p>\n<p>Granted, this all-over-the-map approach doesn&#8217;t result in a cohesive band sound; it&#8217;s tough to get a feeling for this band&#8217;s sound, since both their covers and originals involve several musical ideas. &#8220;Natural Selection&#8221; is a good example of this, sounding like a mini-Dream Theater rock opera with an organ, doom-laden-sounding vocals and heavy power chords. This gives way to the goofy &#8220;Now I Have A Job,&#8221; which is led by a great bass riff, some cheesy Farfisa organ and an infectious spirit. Both of those songs actually appeared on the &#8220;tribute&#8221; album <i>Everybody Wants To Be Like Jed <\/i>in 2000, which featured several artists recording songs Jed Davis had written way back before the Hanslick Rebellion had ever formed. <\/p>\n<p>After a couple of songs, Davis and his bandmates will bait the crowd with rock cliches; one band member tells the crowd that the next song is about rock and roll and love in the night, after which another band member shouts out a possible song title, &#8220;Rockin And Lovin&#8217; In The Rock And Roll Night Of Love.&#8221; Trust me, it&#8217;s funnier when you hear it. <\/p>\n<p>As with any college-mentality band, the lyrics and mood can take a turn for the juvenile, such as &#8220;Rump (Da Butt),&#8221; &#8220;Big Hot Monday&#8221; and the incomprehensible ska &#8220;Leave Your Boyfriend,&#8221; which is the only time Sublime and Deep Purple could ever be influences on one song (more of the former). &#8220;Vegetable Man&#8221; is a clunker, but &#8220;Sugar Smack&#8221; is a medley of random covers built around the Archies&#8217; &#8220;Sugar Sugar&#8221; (really). The disc closes with a cover of Del Shannon&#8217;s &#8220;Runaway,&#8221; because, well, why not? But to get to that is to hear the eight-minute tour de force &#8220;Why James Likes Indie Rock,&#8221; which is led by fuzz guitar and strident drums, turning it into an elongated slow punk piece with a great instrumental fade-out. <\/p>\n<p>This band will get no airplay except on the rare evening college radio show and YouTube (current video: &#8220;You Are Boring The Shit Out Of Me&#8221;). It&#8217;s a fun little rock album, though, if you happen across it.<\/p>\n","protected":false},"author":45,"featured_media":29001,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[8050],"rating":[5614],"class_list":["post-40511","review","type-review","status-publish","has-post-thumbnail","artist-the-hanslick-rebellion","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/40511","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/45"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=40511"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/40511\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/29001"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=40511"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=40511"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=40511"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}