{"id":40544,"date":"2007-10-16T00:00:00","date_gmt":"2007-10-16T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/mantaray-2\/"},"modified":"2007-10-16T00:00:00","modified_gmt":"2007-10-16T00:00:00","slug":"mantaray-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/mantaray-2\/","title":{"rendered":"Mantaray"},"content":{"rendered":"<p>The gothic goddess of punk rock Siouxsie Sioux has returned. For those fans who had written her off, think again. <\/p>\n<p>She has stepped away, perhaps permanently, from her bands the Banshees and the Creatures, and is now &#8212; at long last &#8212; a solo artist in her own right. Though edgy as ever, Siouxsie has wisely opted for a mainstream sound in hopes of winning new listeners. Joining the likes of Annie Lennox and Deborah Harry, Siouxsie is not afraid to challenge the establishment, which is currently suffering from an unfortunate case of ageism. If anything, these three women are showing the up and coming, run-of-the-mill pop starlets how it\u2019s really done. <\/p>\n<p>First of all, I love the artwork that comes with this album. Siouxsie looks beguilingly gorgeous on the cover, which is one of the most colorful in recent memory. I also appreciate the fact that Siouxsie always includes a lyric sheet, so we can see what a great songwriter she is. As for the music, I wouldn\u2019t hesitate to say that 8 of the 10 songs are above average. The other two (\u201cIf It Doesn\u2019t Kill You\u201d and \u201cHeaven And Alchemy\u201d) are weaker because of the somewhat dreary tone and pacing. While I wouldn\u2019t necessarily call them boring, they just don\u2019t give off the same impact as the other tracks. <\/p>\n<p>Reminiscent of Depeche Mode\u2019s \u201cPain That I\u2019m Used To,\u201d the lead-off single \u201cInto A Swan\u201d contains plenty of rough and heavy sounding guitars. Thankfully, though, they aren\u2019t disruptive here, nor do they overwhelm Siouxsie\u2019s distinctive vocal &#8212; which is in fine form. She sings \u201cI\u2019m on the verge of an awakening \/ a new kind of strength for me\u201d with such conviction, you know she means every word. Siouxsie is like a phoenix rising up from the ashes and it is a sight to behold. Consider it a lesson in how to properly ride the ebb and flow of the cycles of life. <\/p>\n<p>Following in breathless succession, there are many other amazing cuts to be found on <i>Mantaray<\/i>, each one blending multiple genres of music to create an original sound of Siouxsie\u2019s own creative design. Her art shines through on the more experimental tunes, most notably \u201cDrone Zone.\u201d The most thrilling stretch is in the first four songs, all of which are definite keepers. It\u2019s almost as if she has taken the best elements from her past career and tweaked them to fit her present state of being. <\/p>\n<p>Equally as exciting are the upbeat \u201cOne Mile Below\u201d and \u201cThey Follow You,\u201d both of which would have been right at home on the Banshees\u2019 brilliant <i>Peepshow <\/i>and <i>Superstition <\/i>albums. <\/p>\n<p>It should be interesting to see how <i>Mantaray <\/i>stacks up against her fellow competitors when it comes time to announce our favorite 2007 picks. In my book, Siouxsie is giving Prince a run for his money for comeback album of the year. In any event, Siouxsie\u00a0 has every right to be proud of the effort she has put forth this time around. <\/p>\n","protected":false},"author":57,"featured_media":29030,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[8065],"rating":[5613],"class_list":["post-40544","review","type-review","status-publish","has-post-thumbnail","artist-siouxsie","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/40544","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/57"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=40544"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/40544\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/29030"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=40544"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=40544"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=40544"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=40544"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}