{"id":40574,"date":"2007-11-03T00:00:00","date_gmt":"2007-11-03T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/retrospective-the-best-of\/"},"modified":"2007-11-03T00:00:00","modified_gmt":"2007-11-03T00:00:00","slug":"retrospective-the-best-of","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/retrospective-the-best-of\/","title":{"rendered":"Retrospective: The Best Of"},"content":{"rendered":"<p style=\"margin: 0in 0in 0pt\" class=\"MsoNormal\">Buffalo Springfield is a rare group in that many people can name more former members than they can songs. Buffalo Springfield launched the careers of Neil Young, Stephen Stills, Richie Furay and Jim Messina. This is kind of a shame, since during their brief career these guys produced some fine music, more than the one song the band is known for.<\/p>\n<p>That song, of course, is \u201cFor What It\u2019s Worth\u201d and is one of the most recognizable in rock music, even if most people don&#8217;t know the song by its proper name. I have always considered \u201cFor What It\u2019s Worth\u201d to be one of the great protest songs of the late 1960s. The beauty of the song is its simplicity and the message defines a generation just as much as &#8220;All You Need Is Love.&#8221; It remains relevant today. <\/p>\n<p>But the rest of the music on this collection measures up. Stills always worked better in a group setting and his contributions here are uniformly strong. One of them, \u201cClancy Can\u2019t Even Sing,\u201d still makes me smile 40 years later. \u201cSit Down, I Think I Love You\u201d is an ensemble piece with dual vocals and guitars; sophisticated stuff for the 1960s. \u201cBluebird\u201d contains some excellent acoustic guitar work by Stills set against Young\u2019s electric guitar. \u201cRock &#038; Roll Woman\u201d shows just how good a guitarist Stills can be when he sets his mind to it; the vocal harmonies foreshadow his work with Crosby, Stills &#038; Nash.<\/p>\n<p>Neil Young always had more problems within the confines of the band, as his genius is best served solo or with Crazy Horse as a backup. But his contributions to Buffalo Springfield also are strong, including &#8220;Mr. Soul,&#8221; which is straight psychedelic rock and features a guitar solo that many would find difficult to copy. \u201cBroken Arrow\u201d is intense rock with excellent vocals that looks ahead to Young&#8217;s <i>Everybody Knows This Is Nowhere <\/i>&#8212; and like the songs there, &#8220;Broken Arrow&#8221; is too long and tends to meander. \u201cI Am A Child\u201d is a country tune that Young would later hone on his <i>Harvest <\/i>LP, while &#8220;Expecting To Fly&#8221; is musical overreach and remains an oddity in the Buffalo Springfield catalog.<\/p>\n<p>The remaining song on <i>Retrospective <\/i>is a gem. \u201cKind Woman\u201d by Richie Furay is a beautiful love ballad, where there piano and steel guitar point ahead to Furay&#8217;s country-oriented work with Poco.\u00a0 <\/p>\n<p>The different musical directions by the members of Buffalo Springfield created many tensions within the group, which led to their short shelf life and some great music. However, with their best material gathered in one place on <i>Retrospective, <\/i>it is music equal to any late-60s rock and stands the test of time quite well.<\/p>\n","protected":false},"author":59,"featured_media":29057,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[8077],"rating":[5613],"class_list":["post-40574","review","type-review","status-publish","has-post-thumbnail","artist-buffalo-springfield","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/40574","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/59"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=40574"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/40574\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/29057"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=40574"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=40574"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=40574"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}