{"id":40600,"date":"2007-11-16T00:00:00","date_gmt":"2007-11-16T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/hex\/"},"modified":"2007-11-16T00:00:00","modified_gmt":"2007-11-16T00:00:00","slug":"hex","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/hex\/","title":{"rendered":"Hex"},"content":{"rendered":"<p>Listening to Bigelf\u2019s third studio release, one cannot help but think of the maxim &#8220;all that was old is new again.&#8221; Between the likes of Wolfmother, Sasquatch and Bigelf, the rock sounds of the late 60s and early 70s are making a comeback like never before. <\/p>\n<p><i>Hex <\/i>is something of a polished time capsule; an amalgam of Pink Floyd, Black Sabbath and modern production values. Things kick off with \u201cMadhatter,\u201d a sludgy opener with fuzzed-out riffs and eerie vocal harmonies. There\u2019s a real psychedelic vibe about things, almost like an unholy blend of Sabbath and <i>Sgt. Pepper<\/i>. Dark, heavy and kooky, it\u2019s a great opener. <\/p>\n<p>\u201cBats in the Belfry II\u201d (yes, part II comes before part I) is quite a turnaround, ditching riff-rock for a sound straight out of Floyd. Vocalist Damon Fox bears an uncanny resemblance to David Gilmour at times, and the mix of odd synthesizers and effects give this slow-paced number a bit of novelty appeal. <\/p>\n<p>These two tracks set the tone for the bulk of the album. &#8220;Disappear,&#8221; &#8220;Rock and Roll Contract&#8221; and &#8220;Burning Bridges&#8221; sound a lot like a modern spin on Floyd, with a nod to the Beatles in their more experimental phase. &#8220;Burning Bridges&#8221; is probably the best of them, due to its harder edge. While Bigelf do a good job of capturing the sound of psychedelia and blending it with stoner rock, most of the Floydian efforts run a bit long &#8212; anywhere from five to eight minutes &#8212; without changing things up a great deal. <\/p>\n<p>The lumbering, hard-rock numbers are where the band really shines. &#8220;Pain Killers&#8221; is a great song, with Fox growling out a memorable chorus of &#8220;They&#8217;re coming to take me away!&#8221; amidst a backdrop of howling sirens. Ace Mark&#8217;s rough guitar sound and detuned riffing make it one of the standout tracks. &#8220;Carry The Load&#8221; is another great rock tune carried by heavy guitars and featuring some trippy vocal effects. &#8220;Falling Bombs&#8221; has some great interplay between the guitar and organ parts. <\/p>\n<p>The best number, far and away, is &#8220;Sunshine Suicide.&#8221; A singable and more melodic effort than most of the cuts on the album, it has a sense of groove to it that the psychedelic and hard rock songs lack. Mark&#8217;s clean soloing is quite tasteful. Here the band manages to break out of its 70s nostalgia mold and capture its own sound. <\/p>\n<p>Bigelf does an admirable job of capturing the sounds of the late 60s and early 70s rock scene and modernizing them for a new generation of listeners. And, more importantly, on the occasions where the band ventures out of retro mode the songs are still just as good. Re-issued in North America in 2007, fans of stoner-rock and psychedelia will find it hard to go wrong with <i>Hex<\/i>, an album that skillfully captures and reinvents the sounds of the past without seeming bound by it.<\/p>\n","protected":false},"author":61,"featured_media":29081,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[8091],"rating":[5615],"class_list":["post-40600","review","type-review","status-publish","has-post-thumbnail","artist-bigelf","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/40600","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/61"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=40600"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/40600\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/29081"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=40600"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=40600"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=40600"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=40600"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}