{"id":40700,"date":"2008-01-16T00:00:00","date_gmt":"2008-01-16T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/planet-waves\/"},"modified":"2008-01-16T00:00:00","modified_gmt":"2008-01-16T00:00:00","slug":"planet-waves","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/planet-waves\/","title":{"rendered":"Planet Waves"},"content":{"rendered":"

In 1974, Bob Dylan was facing an identity crisis. He had been on the circuit for well over a decade and had enjoyed great fame, as well as the musical respect of artists such as The Band and The Grateful Dead. But the folk era was over, and Dylan\u2019s escapade into country music was brief. On top of that, he had left his long-time label Columbia<\/st1:place><\/st1:city> (who retaliated with the infamous Dylan<\/i> album), and was starting anew on Asylum.<\/p>\n

Bob Dylan, in short, had nothing to lose. Teaming up with The Band as his backing musicians again \u00e0 la The Basement Tapes<\/i>, he came up with Planet Waves<\/i>, a natural-sounding album that seemed to place Dylan in the same musical styles as the Dead and The Band.<\/p>\n

Here\u2019s the funny thing: it works.<\/p>\n

Dylan is in fine voice throughout the 11 tracks of this disc, creating a collection of breezily pleasant rock music and heartfelt ballads for the bulk of the disk, and only dipping back into his folk roots at the very end. How this all works together so well is beyond me, but it does.<\/p>\n

Granted, this disc could have been a disaster. For one thing, including two different versions of the same song (\u201cForever Young\u201d) \u2013 back-to-back, even \u2013 slaps fate in the face by suggesting you didn\u2019t have enough strong material to pad out the album. While I might not have put them back-to-back (if memory serves me right, one version ended the first side of the vinyl, while the second one opened side two), the two versions work because of the different styles each one is attacked with. You\u2019re not listening to a sped-up mirrored image the second time around; it actually feels and sounds like you\u2019re listening to an entirely different song.<\/p>\n

While Dylan is obviously not trying to intentionally copy the sound of either band, you can definitely hear influences of the Grateful Dead and The Band in some of the songs. For the latter, this is not unexpected, since they are the rhythm section (this is where disaster number two could have happened \u2013 just because previous collaborations worked well was not a guarantee that the same magic would be there.) But if you listen to songs like \u201cTough Mama\u201d and, to a lesser extent, tracks like \u201cGoing, Going, Gone\u201d and \u201cDirge,\u201d you can almost hear a style similar to what the Dead were doing at that time on the Mars Hotel<\/i> album. It\u2019s a musical style that works quite well for Dylan, capturing the finer points of his vocal performances with solid musicianship and songwriting.<\/p>\n

If there is any complaint with Planet Waves<\/i>, it\u2019s that it can drag a little at times. Whereas the first half of the album bristles with energy, the second half ebbs a bit, with tracks like \u201cDirge\u201d and \u201cYou Angel You.\u201d This is not to say that these performances are bad; rather, it just took me several listens to really be able to appreciate their nuances. A cursory listen almost will find the listener pushing these tracks into the background, but they are deserving of full attention.<\/p>\n

While the musical style of Planet Waves<\/i> is one that I don\u2019t personally think Dylan could have stayed with for the remainder of his career, it was one of great comfort and freedom for the former Robert Zimmerman and resulted in a very enjoyable album. For neophytes to the world of all things Dylan, this is definitely one of the first albums they should pick up.<\/p>\n","protected":false},"author":2,"featured_media":29165,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5866],"rating":[5615],"class_list":["post-40700","review","type-review","status-publish","has-post-thumbnail","artist-bob-dylan","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/40700","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=40700"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/40700\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/29165"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=40700"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=40700"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=40700"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}