The trio of J-Ro, Tash, and E-Swift, collectively Tha Alkaholiks, make music for the love and not the paycheck, which is something that I deeply respect. That being said, that doesn\u2019t necessarily mean that all of their music will be A+ quality.<\/p>\n
Coast II Coast<\/i> starts out with the posse cut \u201cWLIX\u201d (featuring the Lootpack), which can be used as a template for the album: great clever verses sprinkled in amongst very average bars. J-Ro, Madlib, and Tash performed well but that could not deter from the fact that both Declaime and Wild Child couldn\u2019t measure up. \u201cRead My Lips\u201d follows with a great simple beat that contains a very timely horn from E-Swift, who handles the most of the production on this album.<\/i> Most of E-Swift\u2019s brilliance comes in his simplicity; in an era of hip-hop where it\u2019s almost expected for the producer to outshine the lyricist, it\u2019s refreshing to hear a producer not afraid to ease up on the gas a little. <\/p>\n
Next, \u201cLet It Out\u201d changes tempos to the eerier side of Tha Liks, which is oddly very unfulfilling. There is nothing blatantly bad with this track, which does have humorous moments from both J-Ro and Tash, but it lacks any real originality or depth to make it a necessary listen. \u201c21 And Under\u201d is a refreshing change in which Tash regales a tale of an encounter with a couple of teenagers to make a revealing statement about the youth in urban environments.<\/p>\n
\u201cAll The Way Live\u201d is like \u201cLet It Out\u201d in the sense that even with Q-Tip\u2019s assistance, the product is surprisingly unfulfilling. It has four solid verses, but ultimately only J-Ro has a verse worth remembering. \u201cDAAAM!\u201d is filled with an assortment of flows and punch lines that has Tha Liks sounding much more at home. J-Ro once again steals the show but E-Swift and Tash hold their own. <\/p>\n
Appropriately laced with a KRS-One sample, \u201c2014\u201d not only contains J-Ro flowing about the resilience of hip-hop over a scratch filled beat courtesy of E-Swift, but it is also the best cut on the album. \u201c2014\u201d is almost worth the price of Coast II Coast<\/i> alone as it consists of a rare metaphorical moment from Tha Liks; more specifically, from J-Ro. The fact that the message of hip-hop withstanding anything that happens in the world comes from a group like Tha Alkaholiks is only fitting, once again reinforcing that even if mainstream hip-hop has sold its soul, there is an insurmountable amount of underground MCs that won\u2019t stop making quality music. <\/p>\n
\u201cBottoms Up\u201d has Tash keeping up with the theme from\u201d2014\u201d and ridiculing the wack MCs present in 1995. \u201cFlashback\u201d is an ineffective throwback to the earlier days of hip-hop with no help from a helium infused voice chanting \u201cBABY BUBBAS IN THE HOUSE!,\u201d which also runs entirely too long at over six minutes. Despite that mishap, Tha Liks end on a good note with assistance from Diamond D behind the boards and on the mic in \u201cThe Next Level.\u201d<\/p>\n
Coast II Coast<\/i> is actually a very fitting title for this album considering Tha Liks are from the West Coast, but managed to make a very East Coast sounding album with help from appearances by Q-Tip and Diamond D. When Tha Liks are at their best, they remind you of how great hip-hop can put a smile on your face with a witty punch line or a creative cadence. The problem is this album is just too inconsistent; the moment you feel a little tipsy, your buzz is disturbed by a few weak drinks peppered throughout. Coast II Coast<\/i> definitely supplies a thirst for Tha Liks, I\u2019m just waiting for the refreshment.<\/p>\n","protected":false},"author":56,"featured_media":29225,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[8152],"rating":[5614],"class_list":["post-40764","review","type-review","status-publish","has-post-thumbnail","artist-the-alkaholiks","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/40764","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/56"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=40764"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/40764\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/29225"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=40764"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=40764"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=40764"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}