{"id":40890,"date":"2008-05-11T00:00:00","date_gmt":"2008-05-11T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/band-on-the-run-2\/"},"modified":"2008-05-11T00:00:00","modified_gmt":"2008-05-11T00:00:00","slug":"band-on-the-run-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/band-on-the-run-2\/","title":{"rendered":"Band On The Run"},"content":{"rendered":"<p class=\"MsoNormal\">At least once every decade, former Beatle Paul McCartney does something that makes me sit up and take notice. His recent Super Bowl halftime show performance comes to mind immediately for the \u201800s. And in the \u201890s, it was the Grammy nomination for his top-notch album, <i>Flaming Pie<\/i>. His high-water mark in the \u201880s had to be <i>Tug Of War<\/i>, which was co-produced by Paul\u2019s old friend and mentor, George Martin. When it comes to the \u201870s, the hands-down choice for Paul McCartney\u2019s greatest artistic triumph is his fifth solo studio effort, <i>Band On The Run<\/i>. With a little help from his friend Denny Laine and wife Linda, Paul produced this stunning album all by his lonesome. Unbeknownst to him at the time, it proved to be a trial-by-fire experience he would not soon forget.<o:p><\/o:p><\/p>\n<p class=\"MsoNormal\">The recording of this album was not a particularly smooth affair. Choosing <st1:place><st1:city>Lagos<\/st1:city>,  <st1:country-region>Nigeria<\/st1:country-region><\/st1:place> as a location was a mistake; once Paul and his small entourage saw armed guards at the airport, they should have turned right around and flown straight back home. As a military state, <st1:city><st1:place>Lagos<\/st1:place><\/st1:city> was a violent and unsanitary city. Wisely, the band members all got immunized before their decampment. The studio facility was found to be a ramshackle mess, but Paul was determined to still make a go of it. He knew it would not be easy right from the start, especially when two of his former bandmates quit before traveling to <st1:city><st1:place>Lagos<\/st1:place><\/st1:city>. Wearing the producer\u2019s hat, taking over on drums, and supplying all of the vocal parts would have been a daunting proposition for any other artist, but for Paul, the extra work only added more fuel to his creative fire.<o:p><\/o:p><\/p>\n<p class=\"MsoNormal\">McCartney\u2019s inspiration shines through the most on \u201cMamunia,\u201d a bright and shiny ode to the dark and perilous African territory he had suddenly found himself contending with.\u00a0 Despite the unbearable heat and the fact that he and Linda were mugged on the street, Paul was determined not to let anything damper his enthusiasm for the music project he was fervently attempting to put together. One song, \u201cPicasso\u2019s Last Words,\u201d had long since been completed, having been written at the suggestion of actor Dustin Hoffman. Hoffman met with McCartney at a caf\u00e9 in <st1:country-region><st1:place>Jamaica<\/st1:place><\/st1:country-region> and asked him to write a song right then and there. Used to working spontaneously, Paul had Hoffman open to a random page in the most recent <i>Time<\/i> magazine. Landing on an article entitled \u201cPicasso\u2019s Last Days And Final Journey,\u201d Paul wrote a masterful, multi-part tune that became one of the best tracks on <i>Band On The Run<\/i>.<o:p><\/o:p><\/p>\n<p class=\"MsoNormal\">The album\u2019s other multi-parter is the title song. It starts out sounding a bit sluggish and somewhat annoying, but then morphs brilliantly into the #1 single it truly is. The second track, \u201cJet\u201d is even better, a propulsive rock tune that picks up where Paul\u2019s James Bond theme \u201cLive And Let Die\u201d left off. After a rather dopey, throwaway song about a bird (\u201cBluebird\u201d) we are treated to \u201cMrs. Vandebilt,\u201d which contains what sounds like the memorable Seven Dwarfs\u2019 chant, \u201cHeigh Ho.\u201d The \u201cho hey ho\u201d refrain is so catchy that it is later reprised as the finale to \u201cPicasso\u2019s Last Words.\u201d The synth ballad \u201cLet Me Roll It\u201d also reverberates as a definite standout. It\u2019s got a strong pop hook and some impressive guitar licks as well. The echoing vocal makes it sound like nothing Paul has ever attempted before. In fact, it doesn\u2019t even sound like a Paul McCartney song when you first hear it. With so much chaos surrounding him during the recording of this record, it is unbelievable he was able to turn in incredible songs such as this.<o:p><\/o:p><\/p>\n<p class=\"MsoNormal\">Though the upbeat blues number \u201cHelen Wheels\u201d was chosen as the lead-off single for <i>Band On The Run<\/i>, a better choice would have been the apocalyptic \u201csong of the future\u201d that closes out the album so strongly, \u201cNineteen Hundred And Eighty Five.\u201d Even though it is my selection as the best song on the album, it only made it as far as the B-side of the \u201cBand On The Run\u201d single. Oh well, when an album is this good, singles tend to become irrelevant. If ever there was an argument for keeping the album format alive in this new digital age of downloading we\u2019re now living in, <i>Band On The Run <\/i>is it.<\/p>\n","protected":false},"author":57,"featured_media":27097,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7175],"rating":[5646],"class_list":["post-40890","review","type-review","status-publish","has-post-thumbnail","artist-paul-mccartney-wings","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/40890","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/57"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=40890"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/40890\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27097"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=40890"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=40890"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=40890"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}