{"id":40897,"date":"2008-05-19T00:00:00","date_gmt":"2008-05-19T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/pretty-odd\/"},"modified":"2008-05-19T00:00:00","modified_gmt":"2008-05-19T00:00:00","slug":"pretty-odd","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/pretty-odd\/","title":{"rendered":"Pretty. Odd"},"content":{"rendered":"<p class=\"NoSpacing\">God knows that The Beatles have earned their place in history, and thus have influenced generation upon generation of musicians. Listen to Top 40 radio and you will hear a trace of the Fab Four somehow, albeit ever so slight. However, it is even more refreshing to hear a band that\u2019s obviously fallen for John, Paul, George, and Ringo, and fallen <i>hard<\/i>.<\/p>\n<p class=\"NoSpacing\">That is the case with Panic At The Disco\u2019s latest record, <i>Pretty.Odd (<\/i>insert joke about the dropping of the exclamation mark here). Maybe their members have been living in bubbles their entire lives, or perhaps they went no further in The British Invasion than Herman And The Hermits; how they got here isn\u2019t important right now. Suffice to say, the members of Panic apparently decided that emo-rock was not the way to go, and that <i>Sgt. Pepper\u2019s <\/i>is the sun which the rock universe revolves around. <\/p>\n<p class=\"NoSpacing\">Let\u2019s get the praise out of the way: I admire how Panic At The Disco completely shifted musical directions. Their previous album was nothing special, a rote \u2013 albeit energetic \u2013 emo-rock album. Given the glut of such records in the past few years, they were just one more face in the crowd amidst a <st1:place><st1:placetype>sea<\/st1:placetype> of <st1:placename>Fall   Out Boys<\/st1:placename><\/st1:place>, All-American Rejects, and My Chemical Romances. With <i>Pretty.Odd<\/i>, they have demonstrated an ability to be something different and unique, at least with the modern day context.<\/p>\n<p class=\"NoSpacing\">That being said, this album tends to sag beneath the weight of a band trying to cram as much \u201coomph\u201d into every song as is humanly possible. When the Beatles wrote \u201cA Day In The Life\u201d and included the amazing orgasm of sound to bridge Lennon\u2019s work and McCartney\u2019s, it served a specific purpose. When Panic At The Disco throws everything but the kitchen sink into a track such as \u201c Do You Know What I\u2019m Seeing,\u201d one gets visual of the band screaming \u201cLOOK AT US!!\u201d<\/p>\n<p class=\"NoSpacing\">On the whole, the disc works much better when the proceedings take on a <i>Let It Be<\/i>, <i>Revolver\/Rubber Soul<\/i> vibe than <i>Sgt. Pepper\u2019s<\/i>. The album closer \u201cMade As Rabbits\u201d is a welcome approximation of Billy Preston\u2019s contribution to \u201cGet Back,\u201d and while \u201cFolkin\u2019 Around\u201d is a blatant attempt at rewriting \u201cI\u2019ve Just Seen A Face,\u201d its sweet innocence and charm wins one over.<\/p>\n<p class=\"NoSpacing\">People tend to forget that when the Beatles went extravagant and big in their sound, they didn\u2019t forget the key to success: write a good song. <i>Pretty.Odd<\/i> sometimes ignores that basic principle; however, there are some numbers that do work when placed on the grand stage. The leadoff, and strongest song, \u201cNine In The Afternoon,\u201d benefits greatly from the layers and layers of production, to be sure, but it could easily just as work when played on an acoustic guitar in the bar down the street on karaoke night. That is the mark of a great song.<\/p>\n<p class=\"NoSpacing\">Hopefully, this album marks the start of new, continuing sound for Panic At The Disco. It took a lot of courage to release this record, defying the expectations I\u2019m sure of radio, the label, and most importantly the fans. <i>Pretty.Odd<\/i> is not perfect, nor is it great. Give them some time to grow into this new sound, however, and Panic At The Disco might just create something that does reach that pinnacle.<\/p>\n","protected":false},"author":44,"featured_media":29338,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[8199],"rating":[5615],"class_list":["post-40897","review","type-review","status-publish","has-post-thumbnail","artist-panic-at-the-disco","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/40897","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=40897"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/40897\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/29338"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=40897"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=40897"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=40897"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}