{"id":40967,"date":"2008-06-22T00:00:00","date_gmt":"2008-06-22T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/dare\/"},"modified":"2008-06-22T00:00:00","modified_gmt":"2008-06-22T00:00:00","slug":"dare","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/dare\/","title":{"rendered":"Dare"},"content":{"rendered":"<p class=\"\\\"MsoNormal\\\"\">Though I can find redeeming qualities in almost every other Human League album, there is only one I can deem a true pop classic, and that is <i>Dare<\/i>. This package has all the elements in place, from its gender-defying close-ups of the band members on the jacket, to the cohesiveness of the songs within. It also has a strong theme and no less than nine synthesizers to hold it all together. Not bad for a British act that might have folded had it not been for the quick thinking and foresight of Philip Oakey and producer Martin Rushent.  <o:p><\/o:p><\/p>\n<p class=\"\\\"MsoNormal\\\"\">A year earlier, half of the original all-male Human League lineup had essentially left Oakey and Phillip Adrian Wright in the lurch to fend for themselves, opting to form the group Heaven 17 without them. Seizing control of the difficult situation, Oakey decided to double their numbers by recruiting four new Human League members. The key ingredient for their eventual success was undoubtedly bringing two female singers aboard, Susanne Sulley and Joanne Catherall. This would prove to be the ace in the hole that Philip needed in making sure the Human League would last longer and be more popular than Heaven 17 could ever hope to be.<o:p><\/o:p><\/p>\n<p class=\"\\\"MsoNormal\\\"\"><i>Dare <\/i>not only made the two previous Human League releases (<i>Reproduction <\/i>and <i>Travelogue<\/i>) a distant memory, but it did the unthinkable &#8212; it became a surprise hit in the <st1:country-region><st1:place>US<\/st1:place><\/st1:country-region>. As the new wave, or the second British invasion, acts like Eurythmics and Culture Club followed The Human League over to the States in quick succession and American music would never be the same. MTV knew a good thing when they saw it, since practically every <st1:country-region><st1:place>UK<\/st1:place><\/st1:country-region> act that came over had a strong, fresh image that was instantly marketable. As wild as some of the get-ups were (i.e. A Flock Of Seagulls), they were still instantly recognizable and suited the music videos perfectly. It may have seemed too gimmicky to many music critics, but the kids sure loved it.<o:p><\/o:p><\/p>\n<p class=\"\\\"MsoNormal\\\"\">At the time, very few American rock bands understood the promise of music videos and didn\u2019t relish the thought of having to essentially become actors<i> <\/i>overnight. The infamous press conference in 1984 that was set up for artists to argue such points was particularly memorable; on one end of the table, you had Hall &#038; Oates and at the other, there was Madonna. Needless to say, the writing was on the wall and the message was made abundantly clear: either you embrace MTV or your career will suffer. So, I guess it\u2019s no wonder that Madonna is still going strong today. Her music videos have since become the stuff that legends are made of.<o:p><\/o:p><\/p>\n<p class=\"\\\"MsoNormal\\\"\">And The Human League\u2019s <i>Dare <\/i>contains \u201cThe Things That Dreams Are Made Of,\u201d so there you have it! Most casual fans will remember \u201cDon\u2019t You Want Me\u201d as the first synth-pop song to reach #1, but diehard fans like myself will point to the entire last half of the album as being equally as strong. The high-pitched \u201cGet Carter\u201d is actually a re-make of the instrumental theme from the film of the same name, serving as the intro to the creepy song with the creeping pace, \u201cI Am The Law.\u201d Even more haunting is \u201cSeconds,\u201d which is a narration about a grisly shooting about to take place. The single \u201cLove Action (I Believe In Love)\u201d is an amalgam of the best that the Human League has to offer and its pairing with \u201cDon\u2019t You Want Me\u201d helps to close out the album in grand style.<o:p><\/o:p><\/p>\n<p class=\"\\\"MsoNormal\\\"\">Tucked in the middle of the album<i> <\/i>are a couple of tunes that may have benefited by some extra fine-tuning (namely \u201cDarkness\u201d and \u201cDo Or Die\u201d), but then again, the whole of this album is stronger than the sum of its parts. I\u2019ve always envisioned a theater company turning <i>Dare<\/i> into a performance art piece, since it has so many unique visual elements that almost beg to be acted out on a stage. When you really break it down, it\u2019s almost like the conflict of good and evil being set to music. From the church organ in \u201cDarkness\u201d to the scary cult chant on \u201cSound Of The Crowd,\u201d you could really do a lot more with this material. The opening verse of \u201cI Am The Law\u201d could even be used as the tag line: \u201cYou think evil exists just because you deny it is true.\u201d  <o:p><\/o:p><\/p>\n<p class=\"\\\"MsoNormal\\\"\">And you thought Shakespeare carried weight?<\/p>\n","protected":false},"author":57,"featured_media":29395,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[8223],"rating":[5646],"class_list":["post-40967","review","type-review","status-publish","has-post-thumbnail","artist-the-human-league","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/40967","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/57"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=40967"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/40967\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/29395"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=40967"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=40967"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=40967"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}