{"id":41038,"date":"2008-08-05T00:00:00","date_gmt":"2008-08-05T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/live-at-montreux-2004-dvd\/"},"modified":"2008-08-05T00:00:00","modified_gmt":"2008-08-05T00:00:00","slug":"live-at-montreux-2004-dvd","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/live-at-montreux-2004-dvd\/","title":{"rendered":"Live At Montreux &#8212; 2004 (DVD)"},"content":{"rendered":"<p class=\"MsoNormal\">Among the flood of bands that surged forth with the nu-metal movement of the \u201890s, few have achieved the success and adulation that has been laid upon Korn. Korn cast its own original mold, fusing Metallica-influenced heavy metal, a dose of hip hop, and industrial psychedelia. <\/p>\n<p class=\"MsoNormal\">Guitarists Brian &#8220;Head&#8221; Welch and James &#8220;Munky&#8221; Shaffer created a two-headed sonic sound machine unlike any other. Never really soloing or practicing traditional heavy metal guitar playing, they simply laid down dense riffs and a wide variety of atonal sounds, emulating \u201cpseudo-samples\u201d to emphasize the West Coast hip hop flavor that was an important part of their formative sound.<\/p>\n<p class=\"MsoNormal\">Singer Jon Davis set a standard for the times with his maniacal wailings and rantings, each song becoming an emotional catharsis. He deftly makes up for a somewhat limited range with a stupefying repertoire of vocal hysterics and moaning, wailing angst, which is then laid on top of the manic, funked-up bass stylings of Reginald \u201cFeildy\u201d Arvizu (typically more felt than heard), and one of modern rock\u2019s most talented drummers, David Silveria.<br \/> <!--[endif]--><\/p>\n<p class=\"MsoNormal\">One of their last outings with all five original members was captured on this live performance DVD, a show that was powerful but sadly lacking in both heart and grit. I blame the video editors, frankly. They seem to have cut out almost all the action between songs and the Montreux audience is barely acknowledged. Other than a few bits of <st1:city><st1:place>Davis<\/st1:place><\/st1:city> encouraging the audience to put their hands up or make noise, there is almost no interaction whatsoever, at least not any which survived the editing process. The first part of the show is a bit low-key for the crown princes of modern metal, but they kick the energy up a few notches when they dig into their early catalog. \u201cBlind\u201d kicks off a run of older songs, along with a smoking version of \u201cShoots &#038; Ladders,\u201da chunk of Metallica\u2019s \u201cOne,\u201d and a really excellent cover of \u201cAnother Brick In The Wall.\u201d <\/p>\n<p class=\"MsoNormal\">This is not the best this band has to offer. It\u2019s still a nice slice of their career, if only because it\u2019s one the last performances with Welch prior to his leaving the band. I have to say, though, that the boys looked a little tired. I&#8217;ve seen them live several times and the usual high energy that I&#8217;ve become used to wasn&#8217;t in evidence here. I guess touring will do that to you, but I was largely unimpressed frankly. The sound is excellent, very crisp and nicely mixed. So audio-wise, it\u2019s a great listen, but watching it became tedious. Again, I largely blame the post-production work, which retained the songs in a rather sterile format but lost the essence and spirit of a live show.<\/p>\n","protected":false},"author":42,"featured_media":29460,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6187],"rating":[5614],"class_list":["post-41038","review","type-review","status-publish","has-post-thumbnail","artist-korn","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/41038","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=41038"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/41038\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/29460"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=41038"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=41038"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=41038"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}