k.d.lang flipped country music on its complacent and monotonous head with her devotion to vintage country and her obvious androgyny — even more so, with her pure talent and showmanship. More importantly, like her muse Patsy Cline, she defied industry norms and preconceptions about country music and in doing so claimed a huge following of fans far outside the typical country music demographic. In her wake, she left a mark on the pop and jazz charts as well as on the country scene.<\/p>\n
For her third release, lang was able to lasso the god-like Nashville icon Owen Bradly (Patsy Cline’s mentor), who in turn used his connections to bring in legendary backup singers The Jordaniares, as well as county giants Kitty Wells, Loretta Lynn, and Brenda Lee. Lang sounds more solid than ever on this disc. Her smooth, husky voice channels Roy Orbison as much as it does her idol Cline. Her mellow crooning carries the natural smoky ambiance of languid Southern nights and whiskey-soaked melancholy. lang has her \u201850s-\u201860s country groove strapped on just right, and she deftly channels the smooth pop sensibility that blasted Cline to the top of the charts into Bradley’s beautiful arrangements. <\/p>\n
Several of the best of the songs fall into the torch variety. \u201cBlack Coffee\u201d and the title track \u201cShadowland\u201d are prime examples of lang’s perfect choice of material. The country swing of \u201cSugar Moon\u201d and \u201cI’m Down To My Last Cigarette\u201d add some liveliness to the disc. My favorite is the least typical song, the heart-aching\u00a0 \u201cBusy Being Blue,\u201d which is a pure blast of bluesy torch. Lang pulls out the stops and belts this one out from her guts. <\/p>\n
Sweet crooning and mellow western grooves flow out with a natural ease, sweetly bridging the time gap between the country-pop of the early \u201860s and lang’s own modern country interpretations. The key is the masterful production; Owen’s genius places all the strings where they belong, pedal steel guitars peddling their sighing, crying steel in perfect sync with country fiddle and honky-tonk piano.\u00a0 This is a damn near perfect album from beginning to end. You could travel back to 1960, play this, and no one would miss a beat, they’d just get up and start waltzing.<\/p>\n","protected":false},"author":42,"featured_media":29493,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[8142],"rating":[5646],"class_list":["post-41074","review","type-review","status-publish","has-post-thumbnail","artist-k-d-lang","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/41074","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=41074"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/41074\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/29493"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=41074"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=41074"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=41074"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=41074"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}