{"id":41089,"date":"2008-09-10T00:00:00","date_gmt":"2008-09-10T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/made-of-bricks\/"},"modified":"2008-09-10T00:00:00","modified_gmt":"2008-09-10T00:00:00","slug":"made-of-bricks","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/made-of-bricks\/","title":{"rendered":"Made Of Bricks"},"content":{"rendered":"

Judging by the plethora of new musicians and \u201cnext big things,\u201d it seems that if I wanted a record deal (which, let\u2019s face it, would just be plain ridiculous), all I would have to do is pick up a guitar, get a haircut, and set up a MySpace. Owing to this, I\u2019m always a little suspicious hearing new bands that have been shot into the success-stream overnight. In a way they\u2019re almost like the boy bands of their day. You wonder who will last the longest, who will see the light of a second album, and which ones will end up presenting some morning television show. <\/o:p><\/p>\n

Springing straight from the recently successful Lily Allen mould came Kate Nash. The two seemed uncannily alike: MySpacer? Check. Lived-in vintage dresses? Yep. Singing in Cockney London accent? It\u2019s a must. I was all set to look the other way, wondering why the bigwigs were attempting to market what was potentially the same person.<\/o:p><\/p>\n

My first introduction to Kate Nash was a song called \u201cCaroline\u2019s A Victim,\u201d a headache-inducing three minutes with the titular repeated painfully over drums and a synth. Thankfully it didn\u2019t make it to her 2007 debut, Made Of Bricks. <\/o:p><\/i><\/p>\n

Signing with Polydor branch-off Fiction Records, Kate Nash released \u201cFoundations,\u201d a well-crafted, layered pop song that really lassoed my attention. The song received an incredible amount of airplay and before you knew it, Kate Nash was wearing the \u201cNext Big Thing\u201d tiara. Her debut album was pushed forward for an earlier release, a drastic step for a still relatively unknown artist. I decided to hop on the bandwagon anyway — worst coming to worst, I\u2019d just have another dust collector at the back of my CD collection.<\/o:p><\/p>\n

Unexpectedly, I got far more out of this little purchase than I would have thought.\u00a0 It\u2019s cute. It\u2019s childish. It\u2019s wonderful. <\/o:p><\/p>\n

With Kate Nash, there\u2019s not really much room for sitting on the fence; people love her or hate her. The chief criticism of her work is usually the lyrics, but in her defense, people shouldn\u2019t dive into an album inspired by imaginary friends, a little girl who refuses to speak, and stalking the guy you like expecting some kind of literary masterpiece <\/o:p><\/p>\n

\u201cI don’t ever make up stuff about you and me \/ That could be considered insanity \/ I don’t ever drive by your house \/ To see if you’re in \/ I don’t even have an opinion \/ On that tramp that you’re still seeing,\u201d Nash sings, and yes, it\u2019s a little unconventional, a little strange, but the delivery is so childlike you can\u2019t help but smile. She writes what she knows, however quirky it may be, and it\u2019s refreshing. The melodies of the album, through both vocals and music, never let up, and you soon find yourself involuntarily singing along in a woeful British accent. <\/o:p><\/p>\n

Made Of Bricks <\/i>stands solid as an album. There aren\u2019t many weak songs, which for an album with a rushed release, let alone for a debut, is quite impressive. The r&b-vibed \u201cDickhead\u201d is the only song that has yet to grow on me. Overall album highlights include \u201cWe Get On,\u201d \u201cMouthwash,\u201d \u201cSkeleton Song,\u201d and the secret track \u201cLittle Red.\u201d <\/o:p><\/p>\n

From seeing her live, the ample amount of bootlegs of the internet, and rumors of a single with a certain Billy Bragg, it would appear that Kate Nash has more than enough to fuel a sophomore album and isn\u2019t about to become just another evanescent MySpace artist. <\/o:p><\/p>\n","protected":false},"author":72,"featured_media":29506,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[8272],"rating":[5615],"class_list":["post-41089","review","type-review","status-publish","has-post-thumbnail","artist-kate-nash","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/41089","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/72"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=41089"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/41089\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/29506"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=41089"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=41089"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=41089"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}