{"id":41322,"date":"2009-01-29T00:00:00","date_gmt":"2009-01-29T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/everybody-loves-a-happy-ending\/"},"modified":"2009-01-29T00:00:00","modified_gmt":"2009-01-29T00:00:00","slug":"everybody-loves-a-happy-ending","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/everybody-loves-a-happy-ending\/","title":{"rendered":"Everybody Loves A Happy Ending"},"content":{"rendered":"<p class=\"\\\"MsoNormal\\\"\">When Tears For Fears (TFF) broke up, they did with a lot of pomp and panache, leaving us with their lavish last hurrah <i>The Seeds Of Love<\/i>. And ironically, the band\u2019s makeup album after fifteen long years of cold shoulder is their most low-key and simplest.<\/p>\n<p class=\"\\\"MsoNormal\\\"\">The basic recipe behind <i>Everybody Loves A Happy Ending<\/i> is most similar to <i>Seeds<\/i> than any of TFF\u2019s other records, or even to Roland Orzabal\u2019s releases under the TFF moniker. The heavy psychedelic Beatle-esque influence on <i>Everybody<\/i> resembles <i>Seeds<\/i>, but minus that disc\u2019s extravagance. This is a bare-bones rock album according to TFF standards.<\/p>\n<p class=\"\\\"MsoNormal\\\"\">The allure of earlier TFF, and also Orzabal\u2019s, records were the sumptuous instrumentation and the painstaking, intricate musical arrangements that encompassed elements from jazz to soul, and the pristine sounds that resulted. This is missing on <i>Everybody<\/i> &#8212; which is not to say that <i>Everybody<\/i> doesn\u2019t have pretty tunes. But if the opening cut \u2013 the title cut &#8212; was from an older TFF record, its sweeping, dreamy intro would have continued into a complex and gorgeous number. But instead, it breaks abruptly and turns into a simple \u201860s frolicsome soundtrack to a musical, one that would suit a Paul McCartney album better. On the other hand, the following cut,\u201cClosest Thing To Heaven,\u201d has the same \u201860s appeal but is richer and hence has more depth, resonating with the TFF flair. <\/p>\n<p class=\"\\\"MsoNormal\\\"\">The sparseness on <i>Everybody<\/i> runs deep throughout the album and undermines the beauty of its tracks. \u201cSize Of Sorrow,\u201d the most melodic on the record, sounds awkward with its tawdry programmed percussions laced with a chintzy, uninspired guitar hook. But with some extra musical adornments bestowed on tracks like \u201cLadybird,\u201d \u201cKilling With Kindness,\u201d and the exquisite closing number \u201cLast Days On Earth,\u201d they emerge beauteous and triumphant.<\/p>\n<p class=\"\\\"MsoNormal\\\"\">This is not the best TFF record; in fact <i>Everybody<\/i> is the band\u2019s worst. But in their previous years, the band has set such high standards for their records that even their weakest work is a pretty good deal. TFF hasn\u2019t lost the knack for writing beautifully grand numbers. But this is a band that is made for making those numbers complicated and flamboyant and taking them to wonderful places in gloriously atrocious ways with their musical ambitiousness. With this loss of pretentiousness, <i>Everybody<\/i> is left as just an ordinary album; a good album, but still ordinary.<\/p>\n","protected":false},"author":40,"featured_media":29718,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6318],"rating":[5612],"class_list":["post-41322","review","type-review","status-publish","has-post-thumbnail","artist-tears-for-fears","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/41322","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/40"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=41322"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/41322\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/29718"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=41322"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=41322"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=41322"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}