{"id":41371,"date":"2009-02-24T00:00:00","date_gmt":"2009-02-24T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/love-hate-and-then-theres-you\/"},"modified":"2009-02-24T00:00:00","modified_gmt":"2009-02-24T00:00:00","slug":"love-hate-and-then-theres-you","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/love-hate-and-then-theres-you\/","title":{"rendered":"Love, Hate And Then There&#8217;s You"},"content":{"rendered":"<p class=\"MsoNormal\"><i>Love, Hate And Then There\u2019s You,<\/i> the fourth album from the punchy, punky Von Bondies, loses a little of the grit and energy of their previous efforts, but is still a fairly thorough half hour of raw-powered rock. Though the Von Bondies were cut from their deal with Warner Bros. and also underwent a fairly significant line-up change since the release of their acclaimed third album, <i>2003\u2019s Pawn Shoppe Heart, <\/i>replacing bassist Carrie Smith and guitarist Marcie Bolen, the group still sound strong here, and much of the material retains the driving riffs, stomping drums and frontman Jason Stollsteimer\u2019s howling vocals.<\/p>\n<p class=\"MsoNormal\">The songs themselves are quick bursts of energy, with the longest clocking in at four minutes, and the relentless attack of the instrumentation a nice pairing for Stollsteimer\u2019s slickly catchy choruses. <\/p>\n<p class=\"MsoNormal\">Opener \u201cThis Is Our Perfect Crime\u201d steers the band in the direction of the prevailing indie scene by proclaiming, \u201cWe are the underground\u201d as the track builds towards a raucous, explosive climax, while \u201cShut Your Mouth\u201d and lead single \u201cPale Bride\u201d are similar power-pop gems jammed full of solid riffs and crackling drumbeats. <\/p>\n<p class=\"MsoNormal\">Next up, \u201cOnly To Haunt You,\u201d is reminiscent of The Killers in its sweeping scope and glossy harmonies &#8212; likely courtesy of producers Butch Walker (Hot Hot Heat, All-American Rejects) and Rick Parker (Black Rebel Motorcycle Club), who lend this disc a cleaner, less greasy punk sound than the sometimes sheer insanity of <i>Pawn Shoppe Heart. <\/i>Only closer \u201cModern Saints\u201d really drifts from the jagged edge of the rest of the material here, unfolding over a longer runtime and adding in waves of synths and stadium-ready chants to achieve a sort of Arcade Fire sensibility. It\u2019s a nice moment of experimentation on an otherwise solidly one-tone record.<\/p>\n<p class=\"MsoNormal\">Though the songs on <i>Love, Hate And Then There\u2019s You <\/i>consistently sound built from the same mold, each one is still enjoyable, whether it\u2019s newly added guitarist Christy Hunt and bassist Leann Banks providing the foil to Stollsteimer wailing, \u201cYou don\u2019t look so cool but you look so alive\u201d on \u201cChancer\u201d or the short kiss-off \u201cShe\u2019s Dead To Me\u201d with its bitter, taunting harmonies.<\/p>\n<p class=\"MsoNormal\">We\u2019re in the era of plaintive, anthemic indie, though, which has seemed to temper the Von Bondies\u2019 sound, draining the gritty Detroit garage-rock of their roots and replacing it with cleaner, radio-ready choruses. But while the songs here will stick in your head, they won\u2019t really touch your soul in the way you wish new music would.<\/p>\n","protected":false},"author":48,"featured_media":29764,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[8349],"rating":[11204],"class_list":["post-41371","review","type-review","status-publish","has-post-thumbnail","artist-the-von-bondies","rating-rating-c-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/41371","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/48"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=41371"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/41371\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/29764"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=41371"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=41371"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=41371"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}