{"id":41422,"date":"2009-03-24T00:00:00","date_gmt":"2009-03-24T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/aenima-2\/"},"modified":"2009-03-24T00:00:00","modified_gmt":"2009-03-24T00:00:00","slug":"aenima-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/aenima-2\/","title":{"rendered":"Aenima"},"content":{"rendered":"<p class=\"MsoNormal\">When Tool can on the scene, metal was thought to have been killed by Nirvana. That may have been true for hair metal, but for \u201cmetal,\u201d the genre that is known more for its melodic ferocity than the outfits and sexual conquests of its band members, there was still some life courtesy of Alice in Chains and Soundgarden. Tool, perhaps the heaviest of the successful mainstream metal acts, created a buzz thanks to its creepy, stop-motion videos and the ability to make music catchy enough to hit the airwaves despite having a title like \u201cPrison Sex.\u201d <\/p>\n<p class=\"MsoNormal\">The follow-up to <i>Undertow<\/i> was one of the most anticipated releases of 1996. For most fans, it wasn\u2019t a question of whether <i>Aenima <\/i>was going to be good, it was a question of <i>how <\/i>good. Already having a panache for reserving their most disturbing song title for their catchiest song, \u201cStinkfist\u201d hammers you with an inescapably brutal riff from Adam Jones. For a typical metal band, the theme of the song could be dismissed as a juvenile, and the lyrics occasionally reaffirm that (e.g. \u201cKnuckle deep within the borderline \/ this may hurt a little but it\u2019s something you\u2019ll get used to\u201d \u2026 \u201celbow deep within the borderline\u201d). However, with Tool, there is always a deep well of subtext in most of their songs. <\/p>\n<p class=\"MsoNormal\">With <i>Aenima<\/i>, Tool unleashed a blitzkrieg of heady concepts. The loose, overlying theme of the album is change. The album\u2019s title is a hybrid of the word \u201canima\u201d (Latin for soul) and \u201cenema.\u201d And as anyone who has had the latter can attest, change can sometimes be discomforting. In Aenima, change come via a cataclysmic event of a major earthquake washing away southern <st1:state w:st=\"on\"><st1:place w:st=\"on\">California<\/st1:place><\/st1:state> or a personal metamorphosis. <\/p>\n<p class=\"MsoNormal\">For such a large, overwhelming theme, <i>Aenima<\/i>\u2019s lyrics, for the most part, live up to their ambitions. \u201cEulogy\u201d is an indictment against so-called generation spokespersons. In interviews, drummer Danny Carey said the song is about L. Ron Hubbard. However, lead singer Maynard James Keenan said the song is about making your own decisions. Coming two years after Kurt Cobain\u2019s death, it\u2019s hard not to draw comparisons with lyrics like \u201cStanding above the crowd \/ He had a voice that was strong and loud \/ We\u2019ll miss him\u201d and \u201cRanting and pointing his finger \/ At everything but his heart.\u201d The indictments are sharp and focused, but Keenan\u2019s solution doesn\u2019t offer much more than vague generalities like \u201cGet off your fucking cross\u201d and \u201cTry to read between the lines.\u201d <\/p>\n<p class=\"MsoNormal\">The same can be said for the title track. The music is brutally efficient. The lyrics could have easily come from the journal of \u201cWatchmen\u201d vigilante Rorschach\u2019s. Half of the song could be described as the rantings of a left-winged zealot, wishing for \u201cmom\u201d Mother Nature to wash away all the materialistic and shallow people off the face of the Earth, starting with <st1:city w:st=\"on\"><st1:place w:st=\"on\">Los Angeles<\/st1:place><\/st1:city>. The other half can be deemed a right-winged tirade against junkies, L. Ron Hubbard, actresses and \u201cgun-toting hip gangster wannabes.\u201d <\/p>\n<p class=\"MsoNormal\">Arguably the most straightforward song to interpret is \u201cHooker With a Penis.\u201d Most fans would be flattered to have their favorite band write a song about them, but in this case, the fan (wearing Vans, 501s) expressed concern that Tool were selling out. Keenan ferociously tears the fan a new one, screaming \u201cIf I\u2019m the man, then you\u2019re the man and he\u2019s the man as well so you can point that fuckin\u2019 finger up your ass.\u201d Not exactly Tool\u2019s \u201cBallad of a Thin Man.\u201d Once again, musically, it\u2019s powerful enough to whip up an insta-mosh pit with a few opening bars, but for all its rage, it amounts to little more than a cheap shot aimed at an ignorant fan that probably didn\u2019t deserve a song dedication. Still, \u201cHooker With a Penis\u201d is one of the most popular crowd pleasers for their live shows, so what do I know? <\/p>\n<p class=\"MsoNormal\">When Tool rails against the easiest targets in society, they falter slightly, and <i>Aenima <\/i>certainly has its faults. But when they can focus their bile and match it with their musicianship, they\u2019re unstoppable. \u201c46 &#038; 2,\u201d perhaps the best song on the album, melds all of the concepts in <i>Aenima<\/i> into an insanely catchy and heavy as hell masterpiece. <\/p>\n<p class=\"MsoNormal\">The album was dedicated to Bill Hicks, who was also featured in a neat little artwork piece in the liner notes. The 13-minute plus closer \u201cThird Eye\u201d is built around a routine by the late, great comic. The desire to transcend ones limitations is a prominent theme for both Hicks and Tool. With <i>Aenima<\/i>, Tool elevated metal in the \u201890s to a higher plane. The journey may not have been pretty, but <i>Aenima<\/i> is a flawed, but defining moment for modern progressive metal. <\/p>\n","protected":false},"author":7,"featured_media":24326,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5654],"rating":[5646],"class_list":["post-41422","review","type-review","status-publish","has-post-thumbnail","artist-tool","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/41422","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=41422"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/41422\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24326"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=41422"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=41422"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=41422"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=41422"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}