{"id":41487,"date":"2009-04-26T00:00:00","date_gmt":"2009-04-26T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/whitney-2\/"},"modified":"2009-04-26T00:00:00","modified_gmt":"2009-04-26T00:00:00","slug":"whitney-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/whitney-2\/","title":{"rendered":"Whitney"},"content":{"rendered":"

The thing about Arista that\u2019s always been so annoying is the way that it tries ever so hard to be something for everybody. The fact of the matter is, Arista has always been a stuffy record label clearly designed with your parents in mind. Their material is dreadfully yawn-inducing, especially for teenagers like myself who were sadly disappointed by \u201880s albums released by Billy Ocean and this lady, Whitney Houston.<\/o:p><\/p>\n

As Whitney\u2019s sophomore effort, Whitney <\/i>is nothing more than a pale imitation of her debut record. Arista president Clive Davis wasn\u2019t about to tamper with a successful formula, so he opted for the safer route where the material was just more of the same. Having said that, the first half of Whitney <\/i>is very solid. It\u2019s got a nice mix of upbeat dance songs (the #1 club play hits \u201cI Wanna Dance With Somebody\u201d and \u201cSo Emotional\u201d) and smooth, flawless ballads (such as the overlooked gem \u201cJust The Lonely Talking Again\u201d).<\/o:p><\/p>\n

Unfortunately, that is where the newness wears off and the excitement comes to a screeching halt. In the second half, we have to do all we can to stay awake for five \u2013 yes, that\u2019s FIVE \u2013 more slow songs. And they all sound the same! How \u201cWhere Do Broken Hearts Go\u201d got to #1 is beyond me, since it can barely be distinguishable from another #1 \u201cDidn\u2019t We Almost Have It All.\u201d Guess we all were fooled back then. Something like that would simply not be allowed to happen today.<\/o:p><\/p>\n

Even though there are<\/i> two other upbeat tracks to be found on Whitney <\/i>(\u201cLove Will Save The Day\u201d and \u201cLove Is A Contact Sport\u201d), they are so manic that it borders on the ridiculous. Almost as ridiculous as the cover photo of Whitney, with her fright-wig \u2018do and wild-eyed \u201cI\u2019m about to crack\u201d smile. Yes, this album proved to be another mega-selling blockbuster for Whitney and Arista, but it still feels like a hastily put together rush-release. Even the much ballyhooed duet with her mother Cissy, \u201cI Know Him So Well,\u201d is something of a mediocre after-thought.<\/o:p><\/p>\n

What is so heartbreaking is how innocent <\/i>this album sounds now. You gotta wonder if Whitney could pull off a full comeback with how much public scrutiny she\u2019s been under for the last fifteen years during her drug-addled marriage to bad boy Bobby Brown. Would she be able to dust off and sing these songs again in a believable way? Poor Clive ain\u2019t getting any younger, but he\u2019s trying his damnedest to make sure Whitney is clean and sober enough to make the commitment to another album and tour. <\/o:p><\/p>\n

As time capsules go, Whitney <\/i>is a fascinating document that clearly explains just how on top the world she was back in 1987. It also serves as a stark reminder just how far she has fallen. Goes to show, it could happen to the best of us.<\/p>\n","protected":false},"author":57,"featured_media":26334,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5705],"rating":[11205],"class_list":["post-41487","review","type-review","status-publish","has-post-thumbnail","artist-whitney-houston","rating-rating-d-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/41487","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/57"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=41487"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/41487\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26334"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=41487"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=41487"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=41487"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=41487"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}