{"id":41518,"date":"2009-05-21T00:00:00","date_gmt":"2009-05-21T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/naked\/"},"modified":"2009-05-21T00:00:00","modified_gmt":"2009-05-21T00:00:00","slug":"naked","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/naked\/","title":{"rendered":"Naked"},"content":{"rendered":"<p class=\"MsoNormal\">There is something to be said about discovering a band at the end of their career. Growing up in the \u201880s, I was familiar with the Talking Heads by way of MTV, but I didn\u2019t own any of their albums. It was only in the \u201890s when I picked up a roommate\u2019s copy of <i>Naked<\/i> that I was truly drawn to the band. <\/p>\n<p class=\"MsoNormal\">If I had discovered <i>Naked<\/i> after I tracked down <i>Remain In Light<\/i>, <i>Fear Of Music<\/i> and <i>Stop Making Sense<\/i>, I most likely would have fallen victim to the lazy pattern of too many music critics, which is to heap heavy praise on a band\u2019s first few albums and then eventually cool to their later output. It\u2019s an easy pattern to fall into, since an overwhelming majority of bands release their best material in the early stages of their career. <\/p>\n<p class=\"MsoNormal\">Unfortunately, if you fall too much into this pattern of assuming a band\u2019s output grows more inferior as more albums are released, you tend to judge albums based on the group\u2019s career path and not on the disc\u2019s own merits. This makes me wonder if 20 years down the road, critics may eventually rediscover one of Ryan Adams or Prince\u2019s tossed-off efforts as a \u201clost masterpiece.\u201d <\/p>\n<p class=\"MsoNormal\">Anyway, back to <i>Naked<\/i>. It certainly doesn\u2019t have the manic energy of the Talking Heads\u2019 earlier releases. Instead of four musicians in a studio, the band recruited jazz, Algerian and Moroccan musicians, not to mention former Smiths guitarist Johnny Marr. The band also migrated to <st1:city w:st=\"on\"><st1:place w:st=\"on\">Paris<\/st1:place><\/st1:city> for the recording. It may be overproduced, but somehow, all the elements work to create a great sendoff. <\/p>\n<p class=\"MsoNormal\">David Byrne\u2019s voice is tremendously smoother and more controlled than on almost any other album from the Talking Heads. Drummer Chris Frantz and keyboardist Jerry Harrison are also more relaxed here as well. However, a relaxed sound doesn\u2019t mean the songs are by any means lazy. The organic sound is matched by lyrics that incorporate some form of earthy elements. In the hilarious \u201cNothing But Flowers,\u201d Byrne envisions a suburban box mall being overrun by daisies: \u201cIf this is paradise, I wish I had a lawnmower,\u201d he sings in probably the most famous line in the album. <\/p>\n<p class=\"MsoNormal\">If <i>Talking Heads 77<\/i> was the sound of a band heavily rooted in the <st1:city w:st=\"on\"><st1:place w:st=\"on\">New York City<\/st1:place><\/st1:city> punk scene, <i>Naked<\/i> is the sound of those same punks in the suburbs. The sound is restrained and somewhat resigned, as Byrne even laments \u201cI\u2019m afraid that God has no master plan \/ He only takes \u00a0what he can use\u201d in the song \u201cThe Facts Of Life.\u201d It\u2019s the sound of a band that had just discovered a new sound that could have generated another three albums, but the band chose to call it a day. Rather than eking out an album with a few radio hits like \u201cWild Wild Life,\u201d the band took some sizeable risks with <i>Naked<\/i> and recorded an album that while appealing, contained no definitive radio hits.\u00a0 It may not be the most dramatic disc to end a career with, but it\u2019s worthy enough to be mentioned among the band\u2019s best achievements. <\/p>\n","protected":false},"author":7,"featured_media":29897,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[7876],"rating":[5617],"class_list":["post-41518","review","type-review","status-publish","has-post-thumbnail","artist-talking-heads","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/41518","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=41518"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/41518\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/29897"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=41518"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=41518"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=41518"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=41518"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}