{"id":41691,"date":"2009-09-17T00:00:00","date_gmt":"2009-09-17T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/tough\/"},"modified":"2009-09-17T00:00:00","modified_gmt":"2009-09-17T00:00:00","slug":"tough","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/tough\/","title":{"rendered":"Tough"},"content":{"rendered":"<p class=\"MsoNormal\">It\u2019s doubtful that Murray Mayall could have imagined that in 1933, when his son John was born, that he would one day be appointed an Officer Of The Order of the British Empire. As a guitarist, he might have imagined his son becoming a musician, but it is doubtful that he could have conceived his progeny becoming one of the legendary rock\/blues artists in music history.<\/p>\n<p class=\"MsoNormal\">John Mayall is now in his mid-seventies and over half a century into his career. His Bluesbreakers have included such luminaries as Eric Clapton, Mick Taylor, Mick Fleetwood, John McVie, Peter Green, and a host of others. His current aggregation consists of guitarist Rocky Athas, bassist Greg Rzab, drummer Jay Davenport, and keyboardist Tom Canning. Mayall continues to supply the vocals in addition to playing the harmonica, organ, and guitar.<\/p>\n<p class=\"MsoNormal\">The releases publicity states that this is his 57<sup>th<\/sup> studio album. Through that vast catalogue, he has always kept the faith as a rock\/blues fusion artist. His work in the \u201860s was unique and cutting-edge and opened up new possibilities for future generations of musicians. In many ways, he can be considered the godfather of the British blues.<\/p>\n<p class=\"MsoNormal\">His new release is titled <i>Tough<\/i>,<i> <\/i>and while it breaks no new ground, it covers the old very well. His vocals may not be as strong as several decades ago, but he can still sing the blues with the best of them and age has added an authenticity and emotional feel to his delivery. He is still a good organist and guitarist, but it is his harmonica playing that provides many of the instrumental highlights of this album. It forms the heart and soul of his music and presents the blues at their best.<\/p>\n<p class=\"MsoNormal\">Mayall only writes three of the eleven tracks, but they are the three strongest. \u201cSlow Train To Nowhere\u201d is a slow and smoky number that uses his organ as the foundation. He sings with passion about the partying and boozing of his past. \u201cTough Times Ahead\u201d is another moody number with commentary about the state of the world\u2019s economy. \u201cThat Good Old Rockin\u2019 Blues\u201d is a hard driving number. It sums up his lifelong commitment to the blues and it\u2019s joyful music at its best \u2013 just roll down the car window and turn up the volume. <\/p>\n<p class=\"MsoNormal\">There are a number of other tasty treats that are included here. \u201cNothing To Do With Love\u201d uses a guitar solo with his harmonica playing on top of the sound. \u201cAn Eye For An Eye\u201d includes a Booker T -type of organ sound mixed with a heavy bass line to drive the song along. \u201cTrain To My Heart\u201d cranks up the guitar sound with Rocky Athas showing off his virtuosity as the latest in a long line of Mayall lead guitarists. <\/p>\n<p class=\"MsoNormal\">Only mortality is going to stop Mayall from playing the blues. <i>Tough <\/i>proves that talent and passion can win out over age every time, and that is good and comforting news for those of us who have aged with him.<\/p>\n","protected":false},"author":59,"featured_media":30057,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[8461],"rating":[5613],"class_list":["post-41691","review","type-review","status-publish","has-post-thumbnail","artist-john-mayall","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/41691","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/59"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=41691"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/41691\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/30057"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=41691"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=41691"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=41691"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}