{"id":41710,"date":"2009-09-26T00:00:00","date_gmt":"2009-09-26T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/ill-communication-remastered-edition\/"},"modified":"2009-09-26T00:00:00","modified_gmt":"2009-09-26T00:00:00","slug":"ill-communication-remastered-edition","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/ill-communication-remastered-edition\/","title":{"rendered":"Ill Communication (Remastered Edition)"},"content":{"rendered":"<p class=\"MsoNormal\">Well before the album ended, many listeners initially deemed <i>Ill Communication<\/i> to be a bit of a disappointment solely because it didn&#8217;t represent a tectonic shift in the Beastie Boys&#8217; style.\u00a0\u00a0 Even casual fans know of the band&#8217;s evolution with their first three full-length albums: the full-out, drunken frat house party crashers on <i>Licensed to Ill<\/i> took a monumental LSD-type left turn with <i>Paul&#8217;s Boutique<\/i> and finally led into a fully capable three-piece band with some serious stoner leanings in <i>Check Your Head<\/i>. <\/p>\n<p class=\"MsoNormal\">There were few albums that benefited more from the passage of time than <i>Ill Communication<\/i>. I was one of the people who were disappointed that the band didn&#8217;t take the opportunity that the early-90s offered them to reinvent themselves yet again. Though I vowed to go back to <i>Ill Communication<\/i>, real life intervened. It started in 1998 when <i>Hello Nasty<\/i> came out; that album was so dense that I kept listening to it in hopes of finally digesting it as a whole (it never happened). Then the music scene kept changing at a head-spinning pace for most of this decade. All the while, <i>Ill Communication<\/i> continued to collect dust through at least eight different moves to different apartments and eventually a condo. <\/p>\n<p class=\"MsoNormal\">No more excuses, though. Capitol continues its rerelease of the Beastie Boys collection with its remastered release of <i>Ill Communication<\/i>. The first thing that hit me after listening to <i>Ill Communication<\/i> after nearly a decade of not picking up the album was a great sense of nostalgia. While the band remained content in refining the loose, live instrument feel of <i>Check Your Head<\/i>, the timing of <i>Ill Communication<\/i>&#8216;s release was impeccable. It was released right in the frenzy of other high-profile albums like Nine Inch Nails&#8217; <i>The Downward Spiral<\/i>, Pavement&#8217;s <i>Crooked Rain, Crooked Rain<\/i> and Hole&#8217;s <i>Live Through This<\/i>. Newer acts like Green Day and Beck were also tearing up the charts. It was also released on the cusp of Woodstock &#8217;94. Though the Beastie Boys had gained some serious momentum with <i>Check Your Head<\/i>, they had to make a great statement officially be one of the frontrunners of the so-called &#8220;alternative nation.&#8221;<\/p>\n<p class=\"MsoNormal\"><i>Ill Communication<\/i> was the sound of a band fully ready to reassume its position of Lollapalooza\/Woodstock-capable headliners. The cheeky flute opening of &#8220;Sure Shot&#8221; ushers in an incredible seven-song stretch. Like a well-orchestrated basketball offense attack, &#8220;Sure Shot&#8221; showcased the band&#8217;s nimble side right before &#8220;Tough Guy&#8221; hammers the listener with the band&#8217;s aggressive, punkish side. This jazz\/punk playoff repeats with the combination of &#8220;Root Down&#8221; followed by &#8220;Sabotage&#8221; and later on with &#8220;Ricky&#8217;s Theme&#8221; and &#8220;Heart Attack Man.&#8221; <\/p>\n<p class=\"MsoNormal\"><i>Ill Communication<\/i> was filled with the Beastie Boys&#8217; newfound sense of activism. In &#8220;Sure Shot,&#8221; the line &#8220;I want to say something that&#8217;s long overdue \/ the disrespect to women has got to be through&#8221; is a minor miracle considering the antics of the band during its <i>Licensed to Ill<\/i> heyday. In &#8220;The Update&#8221; the band &#8220;Gives respect to King and his nonviolent ways.&#8221; And Buddhist chants dominate &#8220;Bodhisattva Vow.&#8221; Still, even for some topics, the band could find its prankster side. &#8220;Legalize the weed and I&#8217;ll say thank heavens'&#8221; is proudly touted in &#8220;B-Boys Makin&#8217; With the Freak Freak.&#8221; <\/p>\n<p class=\"MsoNormal\">At an hour, <i>Ill Communication<\/i> could have used some trimming, but 15 years later, it&#8217;s admirable that this is the type of album that used to be known as a &#8220;superstar album&#8221;: a long, sprawling album that wasn&#8217;t afraid to take risks. <i>Check Your Head<\/i> may still be the superior album, but the instrumentals on <i>Ill Communications<\/i> are oftentimes as good if not better than its predecessor. &#8220;Ricky&#8217;s Theme&#8221; may still be the band&#8217;s finest instrumental. <\/p>\n<p class=\"MsoNormal\">As for the bonuses, <i>Ill Communication<\/i> easily bests the remastered versions of <i>Check Your Head<\/i> and <i>Paul&#8217;s Boutique<\/i> for added goodies. The remixes, especially The Prunes&#8217; treatment of &#8220;Root Down&#8221; and &#8220;Sure Shot&#8221; are among some of these best remix treatments of any Beastie Boys songs. If any of Capitol&#8217;s Beastie Boys reissues merits a purchase, it&#8217;s <i>Ill Communication<\/i>. But for those cash-strapped folks who can&#8217;t afford to buy the same album twice, if you haven&#8217;t given <i>Ill Communication<\/i> another listen since your college or high school days, now&#8217;s a perfect excuse to give this underrated, yet triple-platinum album another listen. <\/p>\n","protected":false},"author":7,"featured_media":30074,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5809],"rating":[5613],"class_list":["post-41710","review","type-review","status-publish","has-post-thumbnail","artist-beastie-boys","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/41710","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=41710"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/41710\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/30074"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=41710"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=41710"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=41710"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=41710"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}