{"id":41718,"date":"2009-10-03T00:00:00","date_gmt":"2009-10-03T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/crying-reissue\/"},"modified":"2009-10-03T00:00:00","modified_gmt":"2009-10-03T00:00:00","slug":"crying-reissue","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/crying-reissue\/","title":{"rendered":"Crying (Reissue)"},"content":{"rendered":"<p class=\"MsoNormal\">Roy Orbison had twenty-one songs reach the American charts during his tenure on the Monument label from 1960-1965, yet he released only four studio albums during that time period. <\/p>\n<p class=\"MsoNormal\">Three years ago, the Monument Legacy label reissued three of these classic releases. You can read my reviews of 1961\u2019s <i>Lonely And Blue <\/i>and 1963\u2019s <i>In Dreams <\/i>in the<i> <\/i>Vault\u2019s archive section. <\/p>\n<p class=\"MsoNormal\"><i>Crying, <\/i>originally issued in 1962, finds him building on the sound and popularity established by <i>Lonely And Blue. <\/i>The title track and \u201cRunning Scared\u201d became big hits and signature songs for Orbison. His sound was now fully developed and his writing relationship with Joe Melson was beginning to flourish, and on this disc, they wrote nine of the twelve tracks together. It would also be his highest charting album until 1989\u2019s <i>Mystery Girl.<o:p><\/o:p><\/i><\/p>\n<p class=\"MsoNormal\">When reviewing any Orbison material from this era, things always comes back to his voice. His tenor vocals had a tremendous range and purity, plus his ability to hit impossibly high notes was accomplished with ease. When listening to his \u201860s material, you have to realize that it was all done before many of the technological recording advances that we take for granted today. The only other contemporary I would place in his league was country artist Patsy Cline, who had a different style but an equally powerful sound.<\/p>\n<p class=\"MsoNormal\">\u201cRunning Scared\u201d and the title cut are ballads that build throughout. Just as you think his voice can\u2019t go any higher, it does. His tone remains perfect and the production is sound. His cover of the Boudleaux Bryant tune \u201cLove Hurts\u201d receives the same type of performance and is just a cut below the first two.<\/p>\n<p class=\"MsoNormal\">The hidden gem on this release is a song called \u201cLana,\u201d which presents him at his up-tempo best. It is pure \u201860s pop and has long been one of my top ten Orbison songs.<\/p>\n<p class=\"MsoNormal\">The bonus tracks serve to enhance the album. They are wisely placed at the end of the disc so the placement of the original vinyl album remains intact. He gives a nice bluesy performance of the old Shirley &#038; Lee hit \u201cLet The Good Times Roll.\u201d The real stunners are \u201cCandy Man\u201d and \u201cDream Baby,\u201d which are nice fusions of pop and his country\/rockabilly roots. <\/p>\n<p class=\"MsoNormal\">Many of Roy Orbison\u2019s hits are well known and have been issued many times over the years. His original albums such as <i>Crying <\/i>allow the listener to explore his catalogue a little deeper. This CD reissue is a keeper for any fan of Orbison or early \u201860s pop.<\/p>\n","protected":false},"author":59,"featured_media":30081,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5919],"rating":[5613],"class_list":["post-41718","review","type-review","status-publish","has-post-thumbnail","artist-roy-orbison","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/41718","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/59"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=41718"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/41718\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/30081"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=41718"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=41718"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=41718"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=41718"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}