{"id":41842,"date":"2010-01-09T00:00:00","date_gmt":"2010-01-09T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/wild-mood-swings\/"},"modified":"2010-01-09T00:00:00","modified_gmt":"2010-01-09T00:00:00","slug":"wild-mood-swings","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/wild-mood-swings\/","title":{"rendered":"Wild Mood Swings"},"content":{"rendered":"<p class=\"MsoNormal\" style=\"text-align: justify\">By the time <i>Wild Mood Swings <\/i>came out, The Cure\u2019s propensity to make shocking stylistic changes to their music was nothing new. And although the giddy, more flamboyantly colorful atmosphere of this record is nothing that the band hasn\u2019t tried before, it is their timing that is a shocker, which has got everything to do with the records that precede it.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify\">Two of The Cure\u2019s biggest records, <i>Disintegration<\/i> and <i>Wish<\/i> \u2013 one with a lush, gothic, almost cinematic sound, and the other with a gritty, noisy, heavily guitar-laden sound \u2013sought the same melancholic paths, and both were heavily brooding. But instead of following up these two records with one more of the same kind, <i>Wild Mood Swings<\/i> turned out to be everything a follow-up to <i>Disintegration <\/i>and <i>Wish <\/i>shouldn\u2019t be. <\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify\">This release, like <i>Kiss Me, Kiss Me, Kiss Me<\/i> before it,<i> <\/i>encompasses the myriads of incarnations of this band in one grand package. This is an album of many shades, and considering how a single focused sound played so well on preceding Cure releases, the variety on this record could get out of hand and become off-putting. Although the lead track, \u201cWant\u201d encompasses elements from both <i>Wish <\/i>and <i>Disintegration<\/i> with its melodramatic style, it sets up for a huge heartbreak when Robert Smith then plunges shamelessly into the blindingly bright colors of pop music with no remorse.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify\">For fans that love listening to Smith frolicking in frivolity, there is plenty to look forward to on this record. \u201cMint Car\u201d and \u201cRound &#038; Round &#038; Round\u201d are the kind of sugary pop nothingness like \u201cJust Like Heaven\u201d and \u201cFriday, I\u2019m In Love\u201d that have graced many a Cure album in the past, fearlessly displaying that this granddaddy of Goth can still be a fun party person. <\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify\">The musical similarity and complexity of <i>Wild Mood Swings <\/i>is astonishingly identical to <st1:place w:st=\"on\"><st1:city w:st=\"on\"><i>Kiss<\/i><\/st1:city><i> <st1:state w:st=\"on\">Me.<\/st1:state><\/i><\/st1:place> Made up of eccentric pop songs, from groggily jaunty to the mournfully austere, this is an album that satisfies a little bit of every palette. Aptly titled, the erratic shift in moods also makes this the most inconsistent Cure album ever.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify\">If taken apart song-by-song, <i>Wild Mood Swings<\/i> is a fantastic collection of some of The Cure\u2019s best pop songs (namely \u201cClub America,\u201d \u201cStrange Attraction,\u201d and \u201cNumb\u201d). This is a party record, no doubt, and pales in comparison to the introspective <i>Wish <\/i>and <i>Disintegration <\/i>in terms of any sort of real depth. However, Robert Smith can be a genius not only when he is grave and serious, but also \u2013 as this disc proves \u2013 when he is just having tons of fun and letting his wildest moods swing whichever way they want to.<o:p><br \/><\/o:p><\/p>\n","protected":false},"author":40,"featured_media":30196,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6048],"rating":[5617],"class_list":["post-41842","review","type-review","status-publish","has-post-thumbnail","artist-the-cure","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/41842","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/40"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=41842"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/41842\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/30196"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=41842"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=41842"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=41842"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=41842"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}