{"id":41857,"date":"2010-01-23T00:00:00","date_gmt":"2010-01-23T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/threshold\/"},"modified":"2010-01-23T00:00:00","modified_gmt":"2010-01-23T00:00:00","slug":"threshold","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/threshold\/","title":{"rendered":"Threshold"},"content":{"rendered":"<p class=\"MsoNormal\">James Whiting has been playing the harmonica since grade school. By the time he was a teenager, he had already been onstage with the legendary Muddy Waters. He took his stage name from an old Sidney Bechet record, <i>Sugar Blues<\/i>, which he came across in the trash.<\/p>\n<p class=\"MsoNormal\">Sugar Blue has toured constantly for the past 35 years, both as a solo artist and supporting the likes of Willie Dixon and Louisiana Red. His \u201cAnother Man Done Gone\u201d was a part of a compilation album that garnered him a 1985 Grammy Award for Best Traditional Blues Album. His greatest claim to fame is his work with The Rolling Stones, who invited him to play on their <i>Some Girls, Emotional Rescue, <\/i>and <i>Tattoo You <\/i>albums. Just listen to their hit \u201cMiss You\u201d to hear him at his best.<\/p>\n<p class=\"MsoNormal\">Sugar Blue now stands as one of the great blues harp players in the world. His speed, the clarity of tone, and the fluidity which he runs through a number of octaves are second to none. His vocals are a bit strained in places but fit the blues tradition well. <\/p>\n<p class=\"MsoNormal\"><i>Threshold <\/i>is his fifth solo studio release and he gathers a tight band in support of this disc. The album features guitarist Rico McFarland, guitarist Moto Makino, bassist Noel Neal, drummer John Knowles, and keyboardist Ilaria Lantieri.<\/p>\n<p class=\"MsoNormal\">Blue wrote or co-wrote nine of the eleven tracks on this release, and while there are elements of rock, jazz, and funk, he usually comes down within a blues style. The song structures are excellent and the lyrics and vocals competent, but they are usually the setup for his harp work.<\/p>\n<p> \u201cStop The War\u201d is a biting anti-war statement, while \u201cCotton Tree\u201d is an ode to harmonica legend James Cotton. \u201cNoel News\u201d is a celebration for the people of <st1:city w:st=\"on\"><st1:place w:st=\"on\">New Orleans<\/st1:place><\/st1:city>. It is straight from the jump blues tradition, with his vocal and harp playing intertwining to create a memorable track. \u201cRamblin\u2019\u201d is a smooth flowing instrumental and features Sugar Blue creatively dueting on harmonica with himself.     <\/p>\n<p class=\"MsoNormal\">The two cover songs are both excellent. \u201cMessin\u2019 With The Kid\u201d is an old Junior Wells tune that returns him to his roots. \u201cTrouble\u201d is a Leiber-Stoller composition that was recorded by Elvis Presley, and Sugar gives it a nice blues workouthere.<\/p>\n<p class=\"MsoNormal\"><i>Threshold <\/i>is the latest album by a blues harp virtuoso. If you appreciate the blues or the harmonica, this is an album for you.<o:p><br \/><\/o:p><\/p>\n","protected":false},"author":59,"featured_media":30211,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[8519],"rating":[5617],"class_list":["post-41857","review","type-review","status-publish","has-post-thumbnail","artist-sugar-blue","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/41857","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/59"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=41857"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/41857\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/30211"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=41857"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=41857"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=41857"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=41857"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}