The departure of a group\u2019s front person, generally the \u201cface\u201d of the band, and certainly the voice, is always an interesting transition. The emergence of Natalie Merchant as a solo artist following her departure form 10,000 Maniacs was a smooth and artistic one. No one should be surprised; she took over the vocalist spot for Maniacs at seventeen, making her a journeyman in the flavor-of-the-month world of popular music. Her debut, Tigerlily<\/i>, features introspective and poetic lyrics backed by solid musicianship. Carrying just a hint of the folksy vibe of her former band, the groove is more jazzy and contemplative. It’s a smooth, somewhat dark listen.<\/p>\n
Merchants\u2019 voice has some amazing qualities, with great expressive range and a natural harmonic quality that resonates strongly with her emotional and introspective lyrics. I found it easy to get lost in her words. With a less capable singer, this laidback, sultry album could have been relegated to coffeehouse background music, but her voice has an urgency and insistence that really captures the listener \u2013 this listener, anyway. <\/p>\n
Much of the album is drenched with melancholy. Sad songs are a natural platform for Natalie’s soulful voice. Her tribute to the late River Phoenix, \u201cRiver,\u201d resonates equally with sadness, and with resentment of the media and the treatment we give to those famous people who succumb to excess. \u201cMy Beloved Wife\u201d is an unusual love song that rings with a depth of loss.\u00a0 She doesn’t ask \u201cWhy me?\u201d; there’s no \u201chow will I go on?\u201d in this track, just the acceptance of loss.\u00a0 A simple plaintive statement resonates with resignation when she sings, \u201cI can’t believe I’ve lost, the very best of me.\u201d<\/p>\n
The slow groove picks up a bit on the well-known track, \u201cCarnival,\u201d and the self-effacing \u201cJealousy,\u201d both of which feature an almost funky soul vibe.\u00a0 The closing track \u201cSeven Years\u201d is one of the more compelling songs on the disc, an understated but biting rebuff to a former lover: \u201cSo don’t you try to right now \/ All the wrong you did \/ I may forget you \/ But not forgive.\u201d <\/p>\n
Despite my initial reservations at approaching this album, I was quickly drawn in to it, mainly by Natalie’s haunting, expressive voice. Tigerlily<\/i> is a fine solo debut and now a welcome part of my collection.<\/p>\n","protected":false},"author":42,"featured_media":26249,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6307],"rating":[5617],"class_list":["post-41874","review","type-review","status-publish","has-post-thumbnail","artist-natalie-merchant","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/41874","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=41874"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/41874\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26249"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=41874"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=41874"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=41874"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}