{"id":41883,"date":"2010-02-19T00:00:00","date_gmt":"2010-02-19T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-famous\/"},"modified":"2010-02-19T00:00:00","modified_gmt":"2010-02-19T00:00:00","slug":"the-famous","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-famous\/","title":{"rendered":"The Famous"},"content":{"rendered":"

I\u2019m always intrigued when members of an established group take on side projects or solo albums.\u00a0 What drove them to it?\u00a0 A need for more control, a desire for change, simple boredom?\u00a0 After all, it must be pretty frustrating to be a creative artist working in a field where the folks with the money (labels and consumers alike) mostly demand a consistent product that satisfies pre-existing expectations.<\/o:p><\/p>\n

These thoughts come to mind when listening to New York quintet Social Hero, simply because these guys don\u2019t seem to have gotten the memo, genre-pigeonholing-wise.\u00a0 It\u2019s obvious enough that they\u2019re classic rock savants, but beyond that broad description they are all over the map stylistically, evidencing equal affection for riff-heavy rock, grinding heavy metal, and complex, lilting prog.\u00a0 <\/o:p><\/p>\n

By the time you get through the first three tracks, SH has hit you with anthemic hard rock (opener \u201cEvening Gown\u201d), a cut that mixes a punk edge with power-pop harmonies and progressive dynamics (\u201cBetter Days\u201d), and a riff-and-harmony-heavy workout that reminds a bit of Mott The Hoople in the way it manages to be both glammy and distinctly progressive in its shifts of tempo and tone (\u201cGone\u201d).<\/o:p><\/p>\n

\u201cOn My Own\u201d continues in the latter vein, adding a bit of Jet-ish grit and flash to the thundering arrangement.\u00a0 \u201cRecognized\u201d goes heavier yet, turning the proceedings in a distinctly metal direction before the guys regroup for \u201cMosquito Attack,\u201d a harmonies-and-acoustics mid-tempo number with a folk-rock feel \u2013 well, until the song busts out into a bruising hard rock chorus, before falling back again.\u00a0 If you\u2019ve ever wondered what a collaboration between America and Black Sabbath might sound like\u2026 well, you have a richer imagination than I do.<\/o:p><\/p>\n

The closing trio do nothing to resolve the stylistic ADD Social Hero exhibits on The Famous<\/i>, but there are undeniably entertaining moments to be found in the guitar heroics of \u201cRunaway,\u201d the Guns N\u2019 Roses opening and hyperactive tempo of \u201cRadioactive Man,\u201d and the dreamy, Queen-meets-Yes dynamics of closer \u201cKeep Telling Yourself.\u201d<\/o:p><\/p>\n

The band\u2019s bio is as intriguing as its range.\u00a0 Brothers Griffin and Brandon Lotti hold down the lead guitar and bass slots, while lead vocalist\/second guitarist David Lloyd only has to turn his head to catch up with Dad, because said parental unit is background vocalist Ian Lloyd, former lead voice of the \u201970s group Stories.\u00a0 The drum kit was manned for this disc by Ray Odabashian, since replaced by Derek Schildkraut.<\/o:p><\/p>\n

This family affair forms a powerhouse unit with unlimited potential \u2013 the question is, will they find a musical focus, or continue to genre-hop like the connoisseurs they clearly are?\u00a0 There are good arguments to be made on either side of that dilemma; how the band resolves it may well determine their fate.\u00a0 For now, they\u2019ve made an album that, for all the questions it leaves unanswered, is undeniably entertaining.<\/o:p><\/p>\n","protected":false},"author":12,"featured_media":30231,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[8529],"rating":[5615],"class_list":["post-41883","review","type-review","status-publish","has-post-thumbnail","artist-social-hero","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/41883","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=41883"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/41883\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/30231"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=41883"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=41883"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=41883"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}