{"id":42061,"date":"2010-08-02T00:00:00","date_gmt":"2010-08-02T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/surrender\/"},"modified":"2010-08-02T00:00:00","modified_gmt":"2010-08-02T00:00:00","slug":"surrender","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/surrender\/","title":{"rendered":"Surrender"},"content":{"rendered":"<p class=\"\\\"MsoNormal\\\"\">I count myself as one of the biggest Diana Ross fans there is, and although I have been left feeling disappointed far too often after purchasing her albums of the last two decades, there is still much love there. Miss Ross, of course, was once the glamorous and charming lead singer of the all-conquering Supremes, who unfortunately fell out of favor with her bandmates (Mary Wilson and Florence Ballard) after her boyfriend and Motown boss Berry Gordy rechristened the group Diana Ross And The Supremes.\u00a0 <o:p><\/o:p><\/p>\n<p class=\"\\\"MsoNormal\\\"\">This, of course, was common practice, as it made a group more marketable with a clear lead singer; Smokey Robinson and Martha Reeves both fronted their respective groups, albeit without the animosity and jealousy that Ross had to endure from her bandmates. So it was that plans for Ross to leave the group and strike out on her own were well underway by the late \u201860s, and the final curtain came following the success of her swansong for the group \u201cSomeday We\u2019ll Be Together.\u201d That single was the twelfth number one hit in just six years for The Supremes; it would also be the last.\u00a0 <o:p><\/o:p><\/p>\n<p class=\"\\\"MsoNormal\\\"\">Ross made the transition to solo performer without a hitch in 1970. Her first two albums (<i>Diana Ross <\/i>and <i>Everything Is Everything<\/i>) earned her more success with singles \u201cReach Out And Touch (Somebody\u2019s Hand),\u201d \u201cI\u2019m Still Waiting,\u201d and the chart-topping \u201cAin\u2019t No Mountain High Enough.\u201d Her third album, however, did not bring Ross the continued success she was hoping for, and it would be two more years until she made its follow-up, the soft but sweet <i>Touch Me In The Morning<\/i>.\u00a0 <o:p><\/o:p><\/p>\n<p class=\"\\\"MsoNormal\\\"\">During that break, Ross starred in and recorded the soundtrack for <i>Lady Sings The Blues<\/i>, a film that told the life story of Billie Holiday, which earned her an Academy Award nomination.\u00a0 It is that soundtrack and this album that are my favorite releases from Ross\u2019 entire recording career. Although <i>Surrender<\/i> sold quite well, it fell off the radar rather quickly because it had no hit singles to help it along.\u00a0 <o:p><\/o:p><\/p>\n<p class=\"\\\"MsoNormal\\\"\">This puzzles me, to say the least, because this record contains some of Ross\u2019 finest singing to date \u2013 not to mention the stellar production by Nikolas Ashford and Valerie Simpson, who also wrote the album (except for the one cover), as they did for Diana\u2019s self-titled debut. Motown legend Paul Riser was also on board to arrange and record the strings and horns to accompany these tracks, which greatly enhanced the quality of them all. The other major factor in the overall standard set by this album was Ross\u2019 performance.\u00a0 <o:p><\/o:p><\/p>\n<p class=\"\\\"MsoNormal\\\"\">It was here that Diana really started to <i>feel<\/i> the music and do so much more than sound pretty and hold a few notes. Her emotive readings on these cuts are the sound of a singer gaining in confidence, knowing that her next project would demand nothing less than a brilliant performance.\u00a0 <o:p><\/o:p><\/p>\n<p class=\"\\\"MsoNormal\\\"\">A few highlights from this fantastic record begin with the opener and title track, a glorious mid-tempo love song that Ross revels in. The punchy horns and funky percussion only add to her vigorous performance, introducing this album perfectly. Equally effective is her melancholy performance on \u201cI Can\u2019t Give Back The Love I Feel For You,\u201d which features her spoken verses set to a piano track before the full band is used for the catchy choruses. Meanwhile, the defiant and exuberant soul\/funk of \u201cI\u2019m A Winner\u201d is also worth a mention.\u00a0 <o:p><\/o:p><\/p>\n<p class=\"\\\"MsoNormal\\\"\">My favorite song on the album (\u201cDid You Read The Morning Paper\u201d) is a jazz-inspired, mid-tempo ballad that finds Ross working through her full vocal range to great effect. The only cover on the album is a radical reworking of \u201cReach Out, I\u2019ll Be There,\u201d which is the closest Ross had come by this point to singing the blues. The restrained and tender delivery is one of her finest moments to date. And let\u2019s not forget the effervescent classic \u201cRemember Me,\u201d which again is one of Ross\u2019 finest songs to date; this song has a life of its own and never loses its luster.\u00a0 <o:p><\/o:p><\/p>\n<p class=\"\\\"MsoNormal\\\"\">All of this and more help to make <i>Surrender<\/i> not only one of Diana Ross\u2019 best ever albums, but an underrated soul gem that is right up there with the best of them.<o:p><\/o:p><\/p>\n","protected":false},"author":67,"featured_media":30399,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[7892],"rating":[5646],"class_list":["post-42061","review","type-review","status-publish","has-post-thumbnail","artist-diana-ross","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/42061","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/67"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=42061"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/42061\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/30399"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=42061"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=42061"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=42061"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=42061"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}