I am constantly amazed at how The Byrds could change their musical direction and survive the loss of members time and time again, yet they continued to produce one excellent album after another.<\/p>\n
Roger McGuinn and Chris Hillman found themselves the only two remaining Byrds after the release of The Notorious Byrd Brothers. <\/i>\u00a0Hillman\u2019s cousin, Kevin Kelley, was hired to play the drums and Gram Parsons was added as a guitarist and banjo player. The duo of Hillman and Parsons shared a musical vision of country music and that vision would dominate the group\u2019s sixth release, Sweetheart Of The Rodeo<\/i>. They combined their country leanings with the rock sensibilities of Roger McGuinn and that combination resulted in one of the earliest and most influential examples of the country\/rock sound.<\/p>\n
Gary Usher returned to produce his third album for the group and led them to the country capital of the world, Nashville Tennessee, for the recording sessions. <\/p>\n
The group members only wrote three original songs. Two Dylan tunes were chosen for interpretation and they combined with a number of classic country songs by such artists as the Louvin Brothers, Merle Haggard, and Cindy Walker to form the foundation of the album.<\/p>\n
Gram Parsons authored two of the best songs of his career here. The major problem was that he was still under contract to A&M records and the label called him on it. Roger McGuinn replaced his vocals on some of the tracks to avoid possible legal problems. \u201cHickory Wind\u201d is a lyrical song of beauty with mesmerizing harmonies in support. If you would like to hear the song in all its glory, without McGuinn\u2019s post production interference, check out the live version on Parsons\u2019 Grievous Angel<\/i> album with Emmylou Harris providing the harmonies. \u201cOne Hundred Years From Now\u201d features the combined voices of Hillman and McGuinn just cascading over the instrumental track.<\/p>\n
The two Dylan tracks book ended the original release. \u201cYou Ain\u2019t Going Nowhere\u201d set up the tone of the album as a steel pedal guitar replaced Roger McGuinn\u2019s usual 12 string. \u201cNothing Was Delivered\u201d features a layered sound and ultimately brings the album to a gentle end.<\/p>\n
Sweetheart Of The Rodeo<\/i> contains a number of other highlights. The Merle Haggard tune, \u201cLife In Prison,\u201d is a song about murder and suffering and is about as country as you can get, yet the Byrds have the ability to shift it just a little from its roots toward a rock sound. \u201cThe Christian Life\u201d finds McGuinn getting into the spirit of the album as his vocal even has a slight southern twang. Woody Guthrie\u2019s, \u201cPretty Boy Floyd\u201d features some wonderful banjo playing as the song is moved from its stark folk roots toward a country\/rock sound. <\/p>\n
Sweetheart Of The Rodeo<\/i> did not have the commercial success of their prior albums but may have been their most influential. The country\/rock sound they established would be carried on by such artists as Poco, The Eagles, Emmylou Harris, Mary Chapin Carpenter, and many others. Released in 1968, during the Vietnam War era, it provided a counterpoint to much of what was appearing at the time. Rolling Stone Magazine<\/i> would rank it at number 117 on their list of the 500 Greatest Albums Of All Time.<\/p>\n
It was a revolutionary release at the time and remains a worthwhile listen today.<\/p>\n","protected":false},"author":59,"featured_media":30598,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5885],"rating":[5613],"class_list":["post-42266","review","type-review","status-publish","has-post-thumbnail","artist-the-byrds","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/42266","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/59"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=42266"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/42266\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/30598"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=42266"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=42266"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=42266"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=42266"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}