{"id":42319,"date":"2011-04-20T00:00:00","date_gmt":"2011-04-20T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/gospel-haunted\/"},"modified":"2011-04-20T00:00:00","modified_gmt":"2011-04-20T00:00:00","slug":"gospel-haunted","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/gospel-haunted\/","title":{"rendered":"Gospel Haunted"},"content":{"rendered":"<p class=\"\\\"Body\\\"\">One of my favorite Springsteen tunes is off his acoustic\/folk record <i>Nebraska<\/i>. It&#8217;s become legendary for its simplicity and lack of arrangements, seeing as how The Boss decided it didn&#8217;t require The E Street Band treatment. But in particular, I&#8217;m talking about &#8220;State Trooper.&#8221; It&#8217;s menacing and primal; the yelps and screams that Springsteen delivers terrified me the first time I gave it a listen. From an instrumental standpoint, there is nothing different in the basic structure of &#8220;State Trooper&#8221; than say the popular folk hits of the &#8217;60s. It&#8217;s just a man with his acoustic. The difference is, the former is scary. <\/p>\n<p class=\"\\\"Body\\\"\">Labeling Those Poor Bastards as folk would be a slight stretch. They describe themselves as Gothic country which heretofore was a genre I was completely unawares of. It\u2019s the overall mood and attitude of <i>Gospel Haunted<\/i> and \u201cState Trooper\u201d that forms the connection I was referring to earlier. Both recordings are terrifying, in their own ways.<\/p>\n<p class=\"\\\"Body\\\"\"><i>Gospel Haunted<\/i> is certainly an&#8230;well, let\u2019s just call it upbeat record. There\u2019s a cruel demented streak that runs through the record, partnered with an incredibly dark sense of humor. The opener \u201cGlory Amen\u201d starts off as a close approximation of a Johnny Cash gospel standard before descending into a wailing apocalyptic nightmare. And really, it\u2019s about par for the course of anything else on <i>Gospel Haunted<\/i>.<\/p>\n<p class=\"\\\"Body\\\"\">But as I just said, that darkness and dementia isn\u2019t presented in a maudlin, overwrought way. In the words of the Bastards themselves, it\u2019s raw and it\u2019s mean. Tom Waits, Nick Cave &#8212; they would have to proud of what Those Poor Bastards have done here, because stylistically, this record shares more with them than your traditional country tunes. The menacing organ, the blistering rage-filled vocals, hell, even the Bastards make a banjo intimidating.<\/p>\n<p class=\"\\\"Body\\\"\">It\u2019s on the final track, \u201cIll At Ease,\u201d where the humor really comes out in full force: it\u2019s 12 minutes long when it doesn\u2019t have to be, but hearing the Bastards throwing out tributes to doo-wop, The Beach Boys, and Led Zeppelin after everything that has come before it is well worth the length. The manic energy that was present throughout the rest of the album falters slightly, but from a thematic standpoint, ;one understands why this song has to end the album. The final piano chords and strum of the banjo bring the proceedings full circle, ending just as conventionally as they began.<\/p>\n<p class=\"\\\"Body\\\"\">That\u2019s where the particular uniqueness of <i>Gospel Haunted<\/i> comes in: it\u2019s not really conventional whatsoever and those expecting it to be so are going to be disappointed. This not accessible music one plays driving down the road or during a summer BBQ. But if it\u2019s up your alley, don\u2019t hesitate to give it a few spins. Either way, I sense Those Poor Bastards don\u2019t care.<\/p>\n","protected":false},"author":44,"featured_media":30648,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[8702],"rating":[5615],"class_list":["post-42319","review","type-review","status-publish","has-post-thumbnail","artist-those-poor-bastards","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/42319","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=42319"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/42319\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/30648"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=42319"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=42319"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=42319"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=42319"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}