{"id":42382,"date":"2011-07-22T00:00:00","date_gmt":"2011-07-22T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/humroot\/"},"modified":"2011-07-22T00:00:00","modified_gmt":"2011-07-22T00:00:00","slug":"humroot","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/humroot\/","title":{"rendered":"Humroot"},"content":{"rendered":"<p class=\"MsoNormal\" style=\"margin-bottom: 0.0001pt; text-align: justify\">There could be no record with its roots so firmly entrenched in folk music that is more<i> <\/i>lyrically mellifluous and exquisitely put together than <i>Humroot<\/i>. At the same time, alongside all its pastoral purity is unquestionably an exhibit of a stunning pop masterpiece. It is not just the musical intricacy of this album that is mind-blowing, but also how sharply and splendidly each detail fills its musical landscape. <\/p>\n<p class=\"MsoNormal\" style=\"margin-bottom: 0.0001pt; text-align: justify\">The crispness of <i>Humroot<\/i> is absolutely blissful, as it allows every note played by the plentitude of musical instruments to come out and grace the musical canvas as if by divine intention. The album\u2019s perfectionist production quality sounds anything but labored, and is similar to those on comparable musically ornate albums like <i>The Seeds Of Love<\/i> by Tears For Fears and <i>Nonsuch<\/i> and <i>Apple Venus Volume 1<\/i> by XTC.<\/p>\n<p class=\"MsoNormal\" style=\"margin-bottom: 0.0001pt; text-align: justify\">Nestled within <i>Humroot\u2019s<\/i> rustic acoustic twangs are great pop songs, which are crafted with stylish brilliance. Tracks like \u201cDolphins,\u201d \u201cBurst,\u201d and \u201cDead Cat\u201d make Shelleyan Orphan seem like indie pop superstars of its days like The Cranberries, all the while still maintaining a strong sense of folkiness. The rest of the album, though very rustic and not overtly exciting, still possesses a little element of pop sweetness that makes it very palatable to not only the folk music crowd, but far beyond it. And Caroline Crawley\u2019s sweet and seductive vocals make anything that she sings instantly appealing; this is truer on <i>Humroot<\/i> than on any of Shelleyan Orphan\u2019s other records.<\/p>\n<p class=\"MsoNormal\" style=\"margin-bottom: 0.0001pt; text-align: justify\">The percussion on this disc is one thing that cannot be commended enough. It is unarguably one of the best parts of this album, if not the best part. Boris Williams (of The Cure) is known for some of his exquisite drumming performances on classic albums by The Cure like <i>Wish<\/i> and <i>Disintegration<\/i>. But his contribution to <i>Humroot<\/i> could very well be his best work. A drummer in a rock band undoubtedly plays an important role, but in a demure folk album, where the setting is intimate, and where the singer and the poetry take center stage, what purpose does banging on things serve? <\/p>\n<p class=\"MsoNormal\" style=\"margin-bottom: 0.0001pt; text-align: justify\">But listening to Williams\u2019 intricate percussive work, it is almost impossible to imagine the gems on <i>Humroot<\/i> without the percussive garnishing. In what is completely antithetical to what role a drummer traditionally plays \u2013 that is, provide a muscular rhythm to a song \u2013 Williams actually provides a new level of delicateness to the numbers on this album. His percussive work on this record is ever so soft, but similar to Crawley\u2019s soft and unimposing voice, is hard not to get mesmerized by.<\/p>\n<p class=\"MsoNormal\" style=\"margin-bottom: 0.0001pt; text-align: justify\">Jemaur Tayle and Caroline Crawley are two really wonderful artists, but they never have, nor will they ever top their work on <i>Humroot<\/i>. Along with Boris Williams, this duo has created a very special album that is truly heavenly.<\/p>\n","protected":false},"author":40,"featured_media":30709,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[8733],"rating":[5646],"class_list":["post-42382","review","type-review","status-publish","has-post-thumbnail","artist-shelleyan-orphan","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/42382","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/40"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=42382"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/42382\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/30709"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=42382"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=42382"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=42382"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}