{"id":42413,"date":"2011-08-31T00:00:00","date_gmt":"2011-08-31T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-chrysalis-years-1973-1979\/"},"modified":"2011-08-31T00:00:00","modified_gmt":"2011-08-31T00:00:00","slug":"the-chrysalis-years-1973-1979","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-chrysalis-years-1973-1979\/","title":{"rendered":"The Chrysalis Years (1973-1979)"},"content":{"rendered":"<p class=\"\\\"MsoNormal\\\"\">There have been three principal waves of British heavy metal.\u00a0 The first one at the end of the \u201960s was led by Led Zeppelin, Black Sabbath and Deep Purple, and the third one at the start of the \u201980s was led by Saxon, Motorhead and Iron Maiden.\u00a0 The second, mid-\u201970s wave\u2014easily the least heralded\u2014included groups such as Judas Priest and UFO.<\/p>\n<p class=\"\\\"MsoNormal\\\"\">The original UFO lineup circa 1969 included Phil Moog on vocals, Pete Way on bass, drummer Andy Parker and guitarist Mick Bolton.\u00a0 This initial quartet recorded two somewhat unfocused studio albums and a live disc that were notable mostly for being ignored in England while catching moderate interest in Japan and Germany.\u00a0 In early 1974 Bolton departed, leading the remaining trio to try out a series of replacements until at last one night in Germany they spotted the right guy for the job playing in the band that was opening for them.\u00a0 The flashy young guitarist was Michael Schenker, and the band was his big brother Rudolf\u2019s group Scorpions.<\/p>\n<p class=\"\\\"MsoNormal\\\"\">With Schenker thus in the fold, UFO entered the golden age chronicled herein.\u00a0 This five-CD set collects the five studio albums plus double live LP recorded between 1973 and 1979 by Mogg, Schenker, Way and Parker, accompanied along the way by Danny Peyronel on keys (for one album, 1976\u2019s rather tepid <i>No Heavy Petting<\/i>) and Paul Raymond on keys and rhythm guitar (for the final four discs, and beyond).<\/p>\n<p class=\"\\\"MsoNormal\\\"\">The six releases in question are presented here in their entirety, interspersed with various single edits, b-sides and alternate studio versions, along with eight tracks culled from a 1974 live date.\u00a0 None of these additions could be termed revelatory or essential; they\u2019re really more of the same, which is to say sturdy, melodic hard rock on a blues-boogie base, highlighted by the muscular, assertive guitar lines and often-spectacular solos delivered by Schenker.\u00a0 <\/p>\n<p class=\"\\\"MsoNormal\\\"\">The broad strokes and pulsing riffs of songs like \u201cDoctor Doctor\u201d remind you of what a terror Schenker was in his heyday, which coincided with the heyday of this band.\u00a0 It was an excellent fit and his work on UFO classics like \u201cLet It Roll,\u201d \u201cNatural Thing\u201d and \u201cLights Out\u201d is among the best of his career, and certainly the best known.\u00a0 Not to mention the immortal \u201cRock Bottom,\u201d a seven-minute guitar workout in its 1974 studio form, and a star-making showcase in the eleven-minute version captured on 1979\u2019s <i>Strangers in the Night<\/i>.<\/p>\n<p class=\"\\\"MsoNormal\\\"\">That said, there\u2019s precious little new here for even the most fervent UFO fan to grab onto.\u00a0 Single edits do nothing for me as a listener\u2014other than perhaps remind me what jerks programming directors could be back in the day, demanding that artists edit their songs to fit format\u2014and the b-sides included here are less than eye-opening; more like more of the same.\u00a0 The only real interest here in terms of \u201cnew\u201d material is eight previously unreleased live tracks from a November 1974 date at the Electric Ballroom in Atlanta on the band\u2019s first American tour.\u00a0 Here you get a glimpse of the core quartet keeping it simple, live and raw, with no keys and no second guitar, and all of the focus on Schenker and Mogg playing off each other.\u00a0 It\u2019s solid, meaty stuff, featuring cuts from 1974\u2019s <i>Phenomenon<\/i>, plus a reminder of their roots as a electrified blues-rock combo in the Zeppelin vein, in the form of a cover of a Willie Dixon number (\u201cBuilt For Comfort\u201d).\u00a0 <\/p>\n<p class=\"\\\"MsoNormal\\\"\">That said, let\u2019s be honest here.\u00a0 This is a talented band that had a good run in the \u201970s, but <i>The Chrysalis Years<\/i> is more UFO than just about anyone needs, particularly when you consider the padding of this collection with multiple versions of the same songs.\u00a0 I mean, \u201cDoctor Doctor\u201d is a terrific tune, surely one of their very best, but five versions of it in one collection?\u00a0 Seriously?<\/p>\n<p class=\"\\\"MsoNormal\\\"\">This release really amounts to Chrysalis cleaning out their closets with a collection that could just as easily have been called <i>The Schenker Years<\/i>.\u00a0 They were good years, and deserve to be chronicled with care\u2014but realistically, this one is for completists only.\u00a0 If you are that UFO superfan, then I expect <i>The Chrysalis Years<\/i> will please you; it\u2019s got pretty much everything you could ask for from that memorable era.\u00a0 For everyone else, it\u2019s most likely a bit too much of a good thing.<\/p>\n","protected":false},"author":12,"featured_media":30738,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5819],"rating":[5615],"class_list":["post-42413","review","type-review","status-publish","has-post-thumbnail","artist-ufo","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/42413","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=42413"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/42413\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/30738"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=42413"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=42413"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=42413"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=42413"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}