{"id":42458,"date":"2011-11-02T00:00:00","date_gmt":"2011-11-02T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/thirty-three-1-3\/"},"modified":"2011-11-02T00:00:00","modified_gmt":"2011-11-02T00:00:00","slug":"thirty-three-1-3","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/thirty-three-1-3\/","title":{"rendered":"Thirty-Three &#038; 1\/3"},"content":{"rendered":"<p>The time finally arrived for George Harrison to release his first album on his own Dark Horse label. He had signed a lucrative deal with A&#038;M Records to distribute his releases and needed to deliver an album by a certain date. The first problem was Harrison becoming ill with hepatitis which kept him out of the recording studio. The second problem was that he missed the delivery date. The third problem was that A&#038;M then sued him for ten million dollars. He finally solved the problems by leaving the label and signing an agreement with Warner Brothers to distribute his label.<\/p>\n<p><i>Thirty Three &#038; 1\/3<\/i> was finally released November 19, 1976. It was commercially successful in the United States, reaching number eleven on the <i>Billboard Magazine <\/i>Pop Album Chart and receiving a gold record award for sales. It remains one of his better post-<i>All Things Must Pass<\/i> albums.<\/p>\n<p>He continued to use a number of familiar names as backing musicians: keyboardist Gary Wright, bassist Willie Weeks, and brass player, and arranger Tom Scott among them. Missing was longtime drummer Jim Keltner, but he would surface as the judge in the \u201cThis Song\u201d video.<\/p>\n<p>Harrison released two top thirty singles from the album, and both were excellent examples of mid-\u201870s pop. \u201cCrackerjack Palace\u201d was a catchy ode to comedian Lord Buckley\u2019s home in Los Angeles. \u201cThis Song,\u201d written during Harrison\u2019s plagiarism suit involving his \u201cMy Sweet Lord\u201d and the old Chiffons hit \u201cHe\u2019s So Fine,\u201d made for a nice piano-based rock tune.<\/p>\n<p>There were several other songs of note. \u201cWhy Don\u2019t You Cry For Me\u201d was a 1969 composition that was left off <i>All Things Must Pass.<\/i> It contains Harrison\u2019s first use of a slide guitar technique. The most interesting song is the old Cole Porter tune, \u201cTrue Love.\u201d Originally a duo for Bing Crosby and Grace Kelly in the film <i>High Society,<\/i> Harrison added a little background beat and mo<a title=\"\\\"_GoBack\\\"\" name=\"\\\"_GoBack\\\"\"><\/a>ved the tune in a creative pop direction.<\/p>\n<p>The ironic track was \u201cLearning How To Love You,\u201d which was written with Herb Alpert in mind, who\u2019d had a huge number one hit with \u201cThis Guys In Love With You.\u201d Harrison hoped he would record this song. Of course, Alpert was an owner of the A&#038;M label and there was the little problem of the ten million dollar lawsuit. Harrison eventually decided to record it himself.<\/p>\n<p><i>Thirty Three &#038; 1\/3<\/i> is one of George Harrison\u2019s more melodic albums, and while it may not be a five-star effort, it is very solid and too often ignored in his vast catalogue.<\/p>\n","protected":false},"author":59,"featured_media":30784,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5913],"rating":[5615],"class_list":["post-42458","review","type-review","status-publish","has-post-thumbnail","artist-george-harrison","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/42458","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/59"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=42458"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/42458\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/30784"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=42458"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=42458"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=42458"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=42458"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}