It seems just about everything Jack White has touched over the years has turned to gold.\u00a0 After soaring to garage rock fame in the early 2000s with the White Stripes, White explored other projects with significant success, including dark blues\/rock band The Dead Weather, work on numerous movies (Cold Mountain<\/i>, Quantum of Solace<\/i>, and others), and most recently, a new solo album (Love Interrupted<\/i>).<\/p>\n
I maintain (until further notice) that the Raconteurs is the most remarkable of his post-Stripes endeavors.\u00a0 Joining forces with fellow alt-rocker Brendan Benson, bassist Jack Lawrence and percussionist Patrick Keeler, the Raconteurs achieved critical and fanatical acclaim in both recorded efforts (including, yes, we DV-ers) and ridiculously entertaining and energetic live performances.<\/p>\n
Lucky for us, the cameras were rolling when White and company rolled through the 2008 Montreux Jazz Festival in Switzerland, promoting their then-recent second release, Consolers Of The Lonely<\/i>.\u00a0 Live At Montreux 2008<\/i> \u2013 available on DVD and Blu-ray \u2013 captures a gem of a performance by The Raconteurs.<\/p>\n
As much voltage as their recorded materials boast, the Raconteurs elevate their energy to the n’th degree during their live shows.\u00a0 Benson’s refined vocals combat White’s unbridled, raucous style from song to song, especially as they explode onto the stage in \u201cConsoler of the Lonely.\u201d\u00a0 Although each member has ample opportunity to shine, a most impressive performance is delivered by Mark Watrous, who breaks down the fiddle on \u201cOld Enough\u201d and provides flawless work on piano and percussion throughout the show.<\/p>\n
Honestly, I always favored Consolers Of The Lonely<\/i> over their debut album, Broken Boy Soldiers<\/i>, but generally their performances from BBS<\/i> significantly outshine those from Consolers<\/i>.\u00a0 Clearly, the group is parading their new material, but the show noticeably peaks in the middle of the setlist with two BBS<\/i> tracks.\u00a0 \u201cLevel\u201d is simply amazing \u2013 it’s really the first time they evolve into improvisation and a jam session, and the crowd reacts accordingly.\u00a0 Just as it ends, Keeler begins a signature steady, unassuming beat on drums, seamlessly segueing into hit single \u201cSteady, As She Goes.\u201d\u00a0 And just as the chorus starts, the head-banging begins.\u00a0 Main set closer \u201cBlue Veins\u201d is astonishing, too, crescendoing from Lawrence’s steady bass intro through several phrases until climaxing with an array of sequences that are quintessentially Jack White, as he shreds his guitar and wails into a vocoder.<\/p>\n
For the remainder of the album, the group churns through familiar track after familiar track.\u00a0 Only one unfamiliar song is attempted by the five-some: \u201cKeep It Clean,\u201d a distortion- and blues-heavy nod to the old school classic by Charley Jordan.\u00a0 A four-song encore closes the marathon, including the churning, offbeat rhythm signified by \u201cBroken Boy Soldiers\u201d and a comparatively modest rendition of imagery-heavy ballad \u201cCarolina Drama\u201d \u2013 modest, that is, until White beats his acoustic so viciously that he breaks a guitar string.<\/p>\n
The Raconteurs last toured a few select shows in fall 2011.\u00a0 One can only hope that they decide to dominate the stage again one day, but until then, Live At Montreux 2008<\/i> will simultaneously quench and tease fans’ desires for more.<\/p>\n","protected":false},"author":84,"featured_media":30990,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7748],"rating":[5613],"class_list":["post-42672","review","type-review","status-publish","has-post-thumbnail","artist-the-raconteurs","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/42672","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/84"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=42672"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/42672\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/30990"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=42672"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=42672"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=42672"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}