{"id":42845,"date":"2012-10-20T00:00:00","date_gmt":"2012-10-20T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/monster-3\/"},"modified":"2012-10-20T00:00:00","modified_gmt":"2012-10-20T00:00:00","slug":"monster-3","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/monster-3\/","title":{"rendered":"Monster"},"content":{"rendered":"<p class=\"\\\"\\\\\"MsoBodyText\\\\\"\\\"\">With this release, KISS reaches the twenty-album mark in their storied history with a better effort than its predecessor <i>Sonic Boom<\/i>. It\u2019s more straight-ahead in its material. I listened to the first 10 seconds of each song of <i>Sonic Boom<\/i>, then the first 10 seconds of each song on this release and hands down, <i>Monster<\/i> has more attitude and better song beginnings which ultimately lead to tighter song structures. When I listened to the entire release, I realized KISS has improved as a band, most noticeably with guitarist Tommy Thayer and drummer Eric Singer contributing to the music. I didn\u2019t care for <i>Sonic Boom<\/i> as I felt the material was weak. I hated <i>Psycho Circus<\/i> even more. <\/p>\n<p class=\"\\\"\\\\\"MsoBodyText\\\\\"\\\"\">And so, I was pleasantly surprised when I analyzed this release and found that for three reasons, this is a joy to listen to. Why this is a good release is three-fold. First, bassist\/vocalist Gene Simmons sounds particularly inspired during \u201cBack To The Stone Age.\u201d There\u2019s urgency in the chorus when he sings in his growly tone, \u201cI\u2019m going back to the stone age \/ back to where I belong.\u201d After 20 releases, it\u2019s pretty much a given that a song sung by Simmons means that the drummer \u2013 whether it is original drummer Peter Criss, his replacement, the late Eric Carr, or current drummer Eric Singer \u2013 gets a workout. I\u2019m touting this song as my favorite. Another song Simmons sings lead on is \u201cThe Devil Is Me.\u201d It took 20 albums, but Simmons seems to be confronting all his critics of him dressed up as the demon.<\/p>\n<p class=\"\\\"\\\\\"MsoBodyText\\\\\"\\\"\">Number two: guitarist\/vocalist Paul Stanley can still write a hooky chorus as he does with \u201cShout Mercy.\u201d He has the swagger in his vocal delivery, much in the same vein as when he sang, \u201cC\u2019mon and love me\u201d way back in the \u201870s. I also appreciated his delivery during the current single \u201cHell Or Hallelujah\u201d when he sings, \u201cOne more time\u201d as the song is winding down. I felt like there was a conscious effort to visualize the song on stage during the recording process.<\/p>\n<p class=\"\\\"\\\\\"MsoBodyText\\\\\"\\\"\">Number three is kind of obvious, but KISS has returned to a model of their \u201870s releases when the vocal duties would be shared with original guitarist Ace Frehley and drummer Peter Criss on occasion. On this release, guitarist Tommy Thayer and drummer Eric Singer each take lead duties on a song. Their songs are not filler and add to the overall impact of the release. I also found myself smiling during \u201cAll For The Love Of Rock And Roll.\u201d I could imagine the crowd going nuts during the song.<\/p>\n<p>    <i>Monster<\/i> passes the test. It is going to get a lot of publicity. Please, believe the hype. And not because their recent performance on <i>Late Night With David Letterman<\/i> the night after this was released was rocking, which it was. I see this release as having a lasting impact. I have no idea if they will ever record a follow-up to this release. I would be in the camp that would say, \u201cStop. You are going out on top.\u201d<\/p>\n","protected":false},"author":10,"featured_media":31155,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5731],"rating":[5646],"class_list":["post-42845","review","type-review","status-publish","has-post-thumbnail","artist-kiss","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/42845","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=42845"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/42845\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/31155"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=42845"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=42845"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=42845"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}