{"id":42878,"date":"2012-11-21T00:00:00","date_gmt":"2012-11-21T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/lonerism\/"},"modified":"2012-11-21T00:00:00","modified_gmt":"2012-11-21T00:00:00","slug":"lonerism","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/lonerism\/","title":{"rendered":"Lonerism"},"content":{"rendered":"<p class=\"Body1\">There&#8217;s no shame in admitting that sometimes, the only reason we bother to listen to a record is something trivial. I&#8217;d love to say that everything in the Clutterbuck archives speaks to me on a meaningful level, and was the result of months of careful research and listening, but that would be a load of hooey. <\/p>\n<p class=\"Body1\">We will get to the album in a minute, but the reason I sit here writing about <i>Lonerism<\/i> is quite simple; Kevin Parker (resident genius behind Tame Impala) sounds <i>exactly<\/i> like John Lennon. No, not similar to Lennon, not Lennon-esque, but a dead ringer for the former Beatle. Upon listening to a brief clip of one random song from the album, my curiosity was piqued immediately; the resemblance is just uncanny. And thus, here we are, 12 tracks later&#8230;<\/p>\n<p class=\"Body1\">In a fairly recent interview, Parker gave the standard answer when a Artist A is asked about how much they sound like Artist B: &#8220;Honored by the comparison, but I really wasn&#8217;t trying to&#8230;&#8221; I am paraphrasing here, but on a certain level I would understand a certain need for Artist A to distance themselves, stand on their own merits, etc. That&#8217;s all well and good, but there is a reality to the fact that sounding like someone else can help establish an audience. We know there are quite a lot of people who enjoy John Lennon&#8217;s music; even the smallest connection sure as hell isn&#8217;t going to hurt you.<\/p>\n<p class=\"Body1\">Funny thing is, as an album, <i>Lonerism <\/i>has much more in common with early McCartney than it does with Lennon. Parker wrote every track, and played most of the instrumentation on each himself. In that sense, I was getting a distinctive <i>McCartney\/McCartney II<\/i> vibe whilst making my way through <i>Lonerism<\/i>. It&#8217;s a pure pop album with a decidedly retro, homespun charm.<\/p>\n<p class=\"Body1\">Parker has name-checked Todd Rundgren as one the primary influences behind this album, and that definitely comes out through the music. Parker doesn&#8217;t venture far from the pop genre, but his approach is of the &#8220;Let&#8217;s throw everything against a wall and see what sticks&#8221; variety. Listen to &#8220;Keep On Lying&#8221; or &#8220;Apocalypse Dreams&#8221; and tell me they couldn\u2019t fit seamlessly into a record such as <i>Something\/Anything<\/i>.<\/p>\n<p class=\"Body1\">Normally, I would not categorize a pop record as a &#8220;slow burn,&#8221; but I did not feel as immediate a connection with <i>Lonerism <\/i>as I would have expected. In fact, it took weeks before I realized that I was repeating the intro to &#8220;Be Above It&#8221; on an hourly basis, annoying everyone around me. The squeals of a synthesizer pop up in my head (\u201cMusic To Walk Home By&#8221;), as do the fuzzed out guitar riffs of &#8220;Elephant.&#8221;<\/p>\n<p class=\"Body1\">But herein lies the rub; I love particular moments much more than the album as a whole. Parker knocks it out of the park on a handful of tracks: &#8220;Elephant,&#8221; &#8220;Be Above It,&#8221; and &#8220;Feels Like We Only Go Backwards&#8221; to be specific. The weird, space-rock vibe comes together with Parker&#8217;s stellar songwriting and he has you hook line and sinker. It&#8217;s unfortunate that those moments don&#8217;t sustain themselves throughout the album. There&#8217;s no question that Parker is very talented, and I wouldn&#8217;t expect him to regress for his next project. There are a few gems on <i>Lonerism<\/i> and for those alone it&#8217;s worth a listen. <\/p>\n","protected":false},"author":44,"featured_media":31186,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[8973],"rating":[5615],"class_list":["post-42878","review","type-review","status-publish","has-post-thumbnail","artist-tame-impala","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/42878","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=42878"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/42878\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/31186"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=42878"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=42878"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=42878"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}