{"id":42996,"date":"2013-02-17T00:00:00","date_gmt":"2013-02-17T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/welcome-interstate-managers-2\/"},"modified":"2013-02-17T00:00:00","modified_gmt":"2013-02-17T00:00:00","slug":"welcome-interstate-managers-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/welcome-interstate-managers-2\/","title":{"rendered":"Welcome Interstate Managers"},"content":{"rendered":"<p class=\"Body\">The video practically shoots itself: bikinis, bright red sports car, swimming pool, gorgeous former model. It\u2019s practically a checklist of \u201cThings That Will Guarantee A Man Will Watch.\u201d The song is a radio hit, at a time when that actually still meant something. All the signs are there for the next step, the path to rock immortality, and then&#8230;..it doesn\u2019t happen.<\/p>\n<p class=\"Body\">In many ways, \u201cStacy\u2019s Mom\u201d is the best and worst thing to happen to Fountains Of Wayne. On the side of the former, it created an instant recognition point, a song that people tend to remember even a decade later. On the side of the latter, many people took it to be the sign of a band that had nothing else to say and relied on a cheap gimmick to grab a hit. The people who loved \u201cStacy\u2019s Mom\u201d never came back to actually check out the rest of what Fountains Of Wayne had to say.<\/p>\n<p class=\"Body\">Which, of course, is a damned shame, because Fountains Of Wayne should have had staying power. They should have become the Maroon 5 of the early naughts: a power pop band who were incredibly versatile and could write a pop song better than 95% of anyone else out there. But sometimes, for whatever reason, those things just don\u2019t happen.<\/p>\n<p class=\"Body\"><i>Welcome Interstate Managers <\/i>was the third effort from the group, and it remains their best work. While there have been some amazing moments on the records that followed, the blend of craftsmanship and mood on this album is just breathtaking. At the risk of sounding intentionally obtuse, this record makes you <i>feel.<\/i><\/p>\n<p class=\"Body\">Much of that comes from the group\u2019s skill at storytelling. Fountains Of Wayne has never really been about style over substance; they excel at both. Not only are their songs stylistically entertaining and diverse, but their stories share the same quality. Whether it\u2019s the youthful indiscretions of \u201cStacy\u2019s Mom,\u201d the minutia of an office job in \u201cHey Julie,\u201d or the melancholic feelings winter brings in \u201cValley Winter Song.\u201d The listener can make a connection with these songs on an emotional level, something that much of the superficial, processed music of today is incapable of offering.<\/p>\n<p class=\"Body\">So, the stories are great; the music is even better. \u201cStacy\u2019s Mom\u201d certainly made sense at the time as the lead single from this record, but if one were to make that decision without factoring in buzzwords like \u201ckey demos\u201d and \u201cpotential market\u201d and \u201cmass appeal,\u201d this album is <i>full <\/i>of great pop songs. In fact, this reviewer would take the first twelve tracks from <i>Welcome Interstate Managers<\/i>, and put them up against anyone else\u2019s best twelve \u2013 that\u2019s how good the first two-thirds of this album is. <\/p>\n<p class=\"Body\">If we look at <i>Welcome Interstate Managers<\/i> as a baseball game, it\u2019s a pitcher throwing a perfect game through seven two-thirds, before surrendering a walk and two hits. Would you categorize that performance as a great game? Absolutely, but it falls just short of achieving perfection. Trim two songs from the end of the record, and you have Don Larsen in the 56 World Series. As it stands, you have Galarraga in 2010: close but no cigar.<\/p>\n","protected":false},"author":44,"featured_media":26486,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6919],"rating":[5613],"class_list":["post-42996","review","type-review","status-publish","has-post-thumbnail","artist-fountains-of-wayne","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/42996","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=42996"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/42996\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26486"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=42996"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=42996"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=42996"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}