Daniel Woolhouse was a former elementary school teacher whose nighttime hobby was working on electronic music, and he chose the moniker Deptford Goth for no reason other than he liked the sound of it. While his music is certainly haunting in some areas, that’s where any goth resemblance ends. A well-rounded musician and producer, he has created a very unique listen of wispy R&B electronica with countless other influences tied up in lush and soulful arrangements on this first effort.<\/p>\n
Immediately, Woolhouse sets an ethereal tone here with dreamy landscapes and experimental ideas that shift from light to dark. Whereas many similar outfits try to cram as many instruments into a song, Woolhouse seems content focusing on sparse synth, clever guitar lines, and his breathy voice that rarely hovers above a whisper. This approach makes for a very mysterious yet also alluring listen that becomes more addictive with each subsequent spin. <\/p>\n
The lead off and title track \u201cLife Beyond Defo\u201d doesn’t waste anytime getting into a mesmerizing mood, complete with fleeting melodies, occasional bells, and a blurry, hazy vibe. While this pensive atmosphere is present all the way through, tracks like “Bronze Age” and “Guts No Glory” are especially emotive. \u201cLions,\u201d which comes later on in the disc, also follows a similar path, though is even more stripped-down with calm pianos and creative guitar work.\u00a0 The volume and intensity does occasionally fluctuate, with \u201cFeel Real\u201d showing a burst of upbeat pop and \u201cUnion\u201d brimming with indie rock influences.\u00a0 <\/p>\n
This is minimalism at its finest. From synth driven and universally catchy like \u201cYears\u201d to soothing songs like the closer \u201cBloody Lip,\u201d Deptford Goth balances hushed textures with a lo-fi bedroom pop feel. Sure, it’s often a bleak listen, sounding like the soundtrack to late night mulling, though standout tracks like \u201cParticles\u201d with its sunnier disposition show much versatility. Sounding similar to artists like James Blake or even Radiohead’s quieter moments, Deptford Goth has secured a place as a highly engaging newcomer to the electro-pop scene.<\/p>\n","protected":false},"author":89,"featured_media":31386,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[9083],"rating":[5617],"class_list":["post-43088","review","type-review","status-publish","has-post-thumbnail","artist-deptford-goth","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/43088","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/89"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=43088"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/43088\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/31386"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=43088"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=43088"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=43088"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}