{"id":43096,"date":"2013-04-23T00:00:00","date_gmt":"2013-04-23T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/greatest-hits-17\/"},"modified":"2013-04-23T00:00:00","modified_gmt":"2013-04-23T00:00:00","slug":"greatest-hits-17","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/greatest-hits-17\/","title":{"rendered":"Greatest Hits"},"content":{"rendered":"<p class=\"MsoNormal\">This is all the Boston you&#8217;ll ever need.<\/p>\n<p class=\"MsoNormal\"><i>Boston <\/i>remains a resonant classic rock landmark, a near-perfect rock \u2018n\u2019 roll ride that has lost none of its luster or power. Every single song from it gets played somewhere in the country on a classic rock station; the less creative ones stick with &#8220;More Than A Feeling,&#8221; while your better stations will play &#8220;Something About You.&#8221; If you&#8217;re above the age of 45, you probably know the whole album by heart.<\/p>\n<p class=\"MsoNormal\">The trouble was, Boston never followed up with anything even close. <i>Don&#8217;t Look Back <\/i>was a similar-sounding album with less memorable results, but it was still pretty good. But then nearly a decade went by before the subpar <i>Third Stage<\/i>, and <i>Walk On <\/i>and <i>Corporate America <\/i>were bland and hopelessly out of date. There were a couple of decent songs on each, sure, but with each passing year fewer people cared.<\/p>\n<p class=\"MsoNormal\">Perhaps sensing this, the compilers of <i>Greatest Hits <\/i>only pick one or two songs each from those final four albums and five from <i>Boston<\/i>. To fill the space, there are <i>two <\/i>versions of a new song called &#8220;Higher Power,&#8221; a second new song (\u201cTell Me\u201d) and a version of &#8220;The Star-Spangled Banner&#8221; that is completely pointless. That&#8217;s four songs that have taken the place of music that could have been taken from <i>Third Stage<\/i>, for example, in an effort to redeem those albums the way most compilations like this do. It&#8217;s because there is so little to redeem.<\/p>\n<p class=\"MsoNormal\">Assuming you don&#8217;t already own <i>Boston<\/i>, this collection is ideal, because the five best songs from that album are here, from the party arena rock of &#8220;Smokin&#8221; and the near-perfect &#8220;Foreplay\/Long Time&#8221; to the driving &#8220;Peace Of Mind&#8221; and the powerful, erstwhile &#8220;More Than A Feeling.&#8221; Four songs from <i>Don&#8217;t Look Back <\/i>are present and attempt to replicate the debut to diminishing results, save for the powerful title track. <\/p>\n<p class=\"MsoNormal\"><i>Third Stage <\/i>is represented by the fine acoustic power ballad &#8220;Amanda&#8221; and &#8220;Cool The Engines,&#8221; while the final two albums get one shrug-worthy power ballad each. NOTE<b>:<\/b> This was first released in 1997 before <i>Corporate America<\/i>, so the set leads off with the new song \u201cTell Me\u201d and offers two versions of \u201cHigher Power,\u201d one acoustic, one electric. The reissue omits \u201cTell Me\u201d and the preferred acoustic take of \u201cHigher Power\u201d in favor of the song from <i>Corporate America. <\/i>Get either one you want. It doesn\u2019t matter.<\/p>\n<p class=\"MsoNormal\">The truth is that the non-<i>Boston <\/i>songs tend to lack the spark that fueled that debut; except for &#8220;Don&#8217;t Look Back&#8221; and maybe &#8220;Amanda,&#8221; nothing else is truly necessary except for the dedicated. But for a one-stop shop of all the radio songs and the best of the debut, <i>Greatest Hits <\/i>does its job well in hitting all the highlights of the Boston catalog.<\/p>\n","protected":false},"author":45,"featured_media":31394,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5689],"rating":[5615],"class_list":["post-43096","review","type-review","status-publish","has-post-thumbnail","artist-boston","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/43096","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/45"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=43096"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/43096\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/31394"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=43096"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=43096"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=43096"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}