While I would never consider myself an expert on the career of Tori Amos, I’m far from the casual listener either. Though I own a good chunk of her large volume of work, I’ve never really been one to dissect how each album stacks up against one another. To me, it just all sounds poetic, elegant, wistful, and often powerful regardless of how much pop influence is or isn’t evident. With that in mind, Gold Dust <\/i>is an ideal album for the admirer of all of her work, as it includes handpicked songs from her entire career, reworked in an orchestral setting with the world famous Metropole Orchestra. <\/p>\n
Though Amos keeps the core of her songs intact here, there are many minor adjustments that longtime fans will (hopefully) enjoy.\u00a0 Some of these adjustments include leaving out portions of the originals. \u201cStar Of Wonder\u201d is without the Middle Eastern slant and absent are a few verses on \u201cYes, Anastasia,\u201d though the track being half its usual length doesn’t detract from its impact. Similarly, \u201cFlavor\u201d is stripped of the programmed beats in lieu of more lush, graceful atmospheres. <\/p>\n
Some of her biggest hits are excluded, though the selections weren’t necessarily culled with a ‘Best Of’ mindset. However, \u201cSilent All These Years\u201d is present and reborn in a stunning fashion. The abundance of strings all over the album often lends itself to a cinematic feel, with \u201cSnow Cherries From France\u201d being the best example of this. Other songs, like \u201cGold Dust,\u201d are more fleshed out, as is “Girl Disappearing” with the piano additions. \u201cCloud On My Tongue\u201d features a new vocal effect \u2013 a nice touch not often utilized by Amos, while \u201cPrecious Things\u201d benefits the most from the idea behind this album, the backing musicians illuminating each portion of the track to the fullest. <\/p>\n
This is a very pleasant extension on an already stellar catalog. 2011’s Night Of Hunters <\/i>hinted at this sound with its classical feel, and here Amos expands on that notion. As always, her voice is flawless and the musicianship is nothing short of awe-inspiring. The release of Gold Dust <\/i>also coincides with the 20-year anniversary of her illustrious career, and what better way to put an exclamation point on that milestone then with this lovely listen.<\/p>\n","protected":false},"author":89,"featured_media":31405,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5650],"rating":[5617],"class_list":["post-43109","review","type-review","status-publish","has-post-thumbnail","artist-tori-amos","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/43109","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/89"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=43109"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/43109\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/31405"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=43109"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=43109"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=43109"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}