{"id":43211,"date":"2013-07-10T00:00:00","date_gmt":"2013-07-10T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/live-in-nyc\/"},"modified":"2013-07-10T00:00:00","modified_gmt":"2013-07-10T00:00:00","slug":"live-in-nyc","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/live-in-nyc\/","title":{"rendered":"Live In NYC"},"content":{"rendered":"<p class=\"MsoNormal\">Recorded on tour in 2011 for their second reunion album (<i>The Great Escape Artist<\/i>), <i>Live in NYC <\/i>captures a loose yet powerful Jane\u2019s Addiction show in front of an appreciative crowd.<\/p>\n<p class=\"MsoNormal\">The show is more a treat for fans than a vital live document or a way to discover new favorites from the latter two reunion albums. All but three songs are from the band\u2019s two major albums, <i>Nothing\u2019s Shocking <\/i>and <i>Ritual De Lo Habitual<\/i>, with one song apiece from <i>Strays <\/i>and <i>Escape Artist <\/i>and an old tune from their unheard 1987 debut album.<\/p>\n<p class=\"MsoNormal\">Unlike their Los Angeles peers of the late \u201980s, who went the party-hearty overdrive hair route (Motley Crue, Guns \u2018n \u2018Roses, etc.), Jane\u2019s Addiction mined strains of metal, punk and the underground alternative scene, becoming leading lights of said scene and helping push the music into the mainstream in the early \u201990s. 25 years on, they are still able to mine that vein of magic and noise, loud and soft, cheeky and enraged, that few bands since have been able to imitate.<\/p>\n<p class=\"MsoNormal\">Longtime fans will appreciate the renditions of these songs, which mix hits and album tracks and don\u2019t stray too much from the originals. \u201cWhores,\u201d from their debut, may be an odd choice to start things, but fits in perfectly next to \u201cAin\u2019t No Right\u201d and the newer \u201cJust Because.\u201d The band\u2019s tendency to stretch out and create spaces \u2013 as opposed to delivering sheer nonstop noise \u2013 is indulged on \u201cTed, Just Admit It\u201d and \u201cThree Days,\u201d while \u201cOcean Size\u201d and the funky \u201cStop!\u201d remain highlights.<\/p>\n<p class=\"MsoNormal\">Easily the best song is 2011\u2019s \u201cIrresistible Force (Met the Immovable Object),\u201d which more than makes up for the lackluster \u201cBeen Caught Stealing\u201d and \u201cJane Says.\u201d It\u2019s a bit disappointing that the band\u2019s two most popular songs among casual fans are rendered in such indifferent fashion, but perhaps the band is bored with playing them after so long.<\/p>\n<p class=\"MsoNormal\">Still, singer Perry Farrell makes up for it with his between-song patter, which is at turns outrageous, crowd-provoking and funny, and guitarist Dave Navarro has rarely sounded better. Credit also goes to new bassist Dave Sitek (TV On The Radio), filling in for Eric Avery and replicating his fat-bottom basslines that are an essential part of most Addiction songs. Some may complain that Farrell doesn\u2019t quite hit the high notes he did before, but after 25 years there\u2019s no way he could, and his performance doesn\u2019t lack for anything.<\/p>\n<p class=\"MsoNormal\">This is not exactly an essential album; newcomers should stick to the <i>Up From The Catacombs <\/i>collection and\/or the band\u2019s two major album statements to get a real sense of the band\u2019s power and skill. For longtime fans, though, <i>Live In NYC <\/i>is a treat and a reminder of what they love about Jane\u2019s Addiction.<\/p>\n","protected":false},"author":45,"featured_media":31510,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6050],"rating":[5615],"class_list":["post-43211","review","type-review","status-publish","has-post-thumbnail","artist-janes-addiction","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/43211","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/45"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=43211"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/43211\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/31510"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=43211"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=43211"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=43211"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}