Rich harmonies and outstanding playing are what sisters Emily Robison and Martie Maguire have always been known for as two-thirds of the Dixie Chicks, and both are front and center on Amelita<\/i>, the pair\u2019s sophomore album as Court Yard Hounds. Robison takes most of the lead vocals plus banjo, dobro, guitar, and Maguire handles lead vocals twice two while contributing fiddle, mandolin and viola, and each provides harmonies behind the other.<\/p>\n
Robison, it must be said, is often a vocal ringer for Sheryl Crow, and while the Hounds\u2019 songs lean to acoustic country-pop, there are elements of rock and soul that further the comparison (not to mention the fact that Crow also started out singing harmony for others herself). This, let\u2019s be clear, is a high compliment in my book.<\/p>\n
Amelita<\/i>, the pair\u2019s second outing as a duo since the Dixie Chicks dialed things back about five years ago, is a warm and satisfying collection of tunes about mature subjects\u2014reflective, perceptive tunes that charm more than they shout, most of them co-written by one or both of the principals with guitarist Martin Strayer. Kickoff cut \u201cSunshine\u201d is smart tune about that person who appears in everyone\u2019s life at some point, trailed by a cloud of negative energy, raining on every parade s\/he can find. In contrast to the subject matter, the song itself is a finger-snapping, foot-tapping confection with a nice surge at the chorus. The depth here comes from the bite of the lyrics that belies the soft, friendly tone of Robison\u2019s voice.<\/p>\n
The title cut opens with a rockabilly rhythm section and Robison urgently entreating a friend suffering under bad influences to remember who she is and get her feet back on the ground; not exactly light material, but the arrangement is bright and energetic and the chorus hook sticks like glue. \u201cThe World Smiles\u201d follows, a similarly lilting yet introspective examination with especially beautiful picked banjo lines from Robison, featured once again on \u201cAimless Upward\u201d alongside Maguire\u2019s evocative fiddle. <\/p>\n
With \u201cA Guy Like You,\u201d Maguire takes the lead vocal and pulls off the neat trick of making a country ballad sound both sultry and playful, massaging the sweet, slumbering melody. It has Nashville instrumentation, but the feel of a smoky lounge jazz ballad, leaving you with the mental image of Maguire draped over a piano in the proverbial black dress\u2014with Robison at her side playing a banjo. <\/p>\n
\u201cRock All Night\u201d inhabits its title thoroughly, a solid backbeat driving this anthemic celebration, with Hammond organ giving it extra lift. \u201cPhoebe\u201d actually rocks at least as hard as its predecessor, an edgy country-blues tune about standing strong against small-town gossip. Maguire steps up again for \u201cGet You Down,\u201d the only cover here, a slow, sad ballad.<\/p>\n
\u201cWatch Your Step\u201d is a breathy rocker with a bit of a strut in the rhythm, while also featuring fiddle, acoustic slide, handclaps and high keening chorus vocals. The track\u2019s swirling, soulful drive and snappy wordplay inevitably remind of Sheryl Crow. Closer \u201cThe Road Not Taken\u201d features is a steady-building mid-tempo blues that swells to a nice crescendo near the end. <\/p>\n
Robison and Maguire\u2019s roles as harmony vocalists and acoustic instrumentalists for the Dixie Chicks give you a good idea what to expect from Court Yard Hounds. But beyond the mostly lighter and airier sound, there\u2019s plenty of depth here\u2014dynamic arrangements, superb musicianship, and songs with substance. With Amelita<\/i>, Court Yard Hounds are sounding less like a side project and more like a second career.<\/p>\n","protected":false},"author":12,"featured_media":31551,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[8579],"rating":[5617],"class_list":["post-43254","review","type-review","status-publish","has-post-thumbnail","artist-court-yard-hounds","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/43254","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=43254"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/43254\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/31551"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=43254"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=43254"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=43254"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}