{"id":43312,"date":"2013-10-03T00:00:00","date_gmt":"2013-10-03T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/hits-back-2\/"},"modified":"2013-10-03T00:00:00","modified_gmt":"2013-10-03T00:00:00","slug":"hits-back-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/hits-back-2\/","title":{"rendered":"Hits Back"},"content":{"rendered":"<p class=\"\\\"MsoNormal\\\"\">More than any other punk band, the Clash proved that righteous anger and musical aptitude need not be mutually exclusive. The blend of musical styles \u2013 punk rock infused with reggae, rockabilly and, later, pop \u2013 mixed with fiery anger and controversial yet thought-provoking political stances remains unique and influential with each passing year.<\/p>\n<p class=\"\\\"MsoNormal\\\"\">The 12-disc <i>Sound System <\/i>box set was released in September 2013, capturing a wealth of rarities and live tracks while remastering the band&#8217;s five official CDs. Released on the same day is the far more manageable <i>Hits Back<\/i>, a two-disc collection packed with most of the band&#8217;s major songs along with non-album singles and fan favorites.<\/p>\n<p class=\"\\\"MsoNormal\\\"\">In a unique twist, the collection is sequenced according to the band&#8217;s live setlist from a 1982 show in Brixton. Guitarist Joe Strummer would tweak the list for each show and tape it to the back of his Telecaster (a formula later adopted by Pearl Jam), and save for one minor change, the first disc and a half follows that list exactly with the studio counterparts. The final eight songs on disc two round up some early songs from the debut (probably dropped from the 1982 setlist in favor of <i>Combat Rock <\/i>tunes) and a few <i>Sandinista! <\/i>tracks that try valiantly to redeem that three-album debacle.<\/p>\n<p class=\"\\\"MsoNormal\\\"\">This approach gives the collection momentum, starting with the martial drama of \u201cLondon Calling\u201d and ending with the early tune \u201cGarageland.\u201d The concert-like approach is quite successful, blending early, punkier tunes like \u201cJanie Jones\u201d with pop hits like \u201cShould I Stay Or Should I Go\u201d and reggae-inspired songs like \u201cBankrobber,\u201d showcasing all sides of the band in the process. <\/p>\n<p class=\"\\\"MsoNormal\\\"\">Granted, there is a lot of overlap with the two-disc <i>Essential <\/i>best of from 2003, but that collection was both chronological and made sure to hit all of the band\u2019s best known songs. Some well-known pieces are missing here (\u201cI\u2019m So Bored With The U.S.A.,\u201d for example) in favor of album cuts from <i>London Calling <\/i>and <i>Sandinista! <\/i>like the head-scratching pop tune \u201cHitsville UK\u201d and \u201cWrong \u2018Em Boyo.\u201d <\/p>\n<p class=\"\\\"MsoNormal\\\"\">Still, this collection flows nicely, hitting the utterly fantastic \u201cLondon Calling,\u201d the unsettling \u201cGuns Of Brixton,\u201d the accessible punk pop of \u201cTrain In Vain\u201d and \u201cRock The Casbah,\u201d the call-to-arms \u201cKnow Your Rights,\u201d the adventurous \u201cPolice &#038; Thieves\u201d and the superb non-album single \u201cRadio Clash,\u201d which refuses to be categorized while instantly getting stuck in the listener\u2019s head. <\/p>\n<p>    So, for those searching for a Clash compilation that hits the commercial high points, <i>Essential <\/i>remains the best option. For those wanting to see a thorough overview of everything the band could do, <i>Hits Back <\/i>is a great place to start and another successful compilation of a truly original and still relevant band.<\/p>\n","protected":false},"author":45,"featured_media":31606,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5815],"rating":[5613],"class_list":["post-43312","review","type-review","status-publish","has-post-thumbnail","artist-the-clash","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/43312","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/45"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=43312"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/43312\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/31606"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=43312"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=43312"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=43312"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}