{"id":43383,"date":"2013-11-07T00:00:00","date_gmt":"2013-11-07T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-minutes\/"},"modified":"2013-11-07T00:00:00","modified_gmt":"2013-11-07T00:00:00","slug":"the-minutes","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-minutes\/","title":{"rendered":"The Minutes"},"content":{"rendered":"<p class=\"MsoNormal\">A native of Essex in England, Alison Moyet found fame early in life when her group Yazzoo put together a string of hit singles in the early \u201880s, including the cracking dance track \u201cDon\u2019t Go\u201d and the mournful ballad \u201cOnly You.\u201d The Yazzoo sound was a fairly simple formula that consisted of the cold mechanical synth-pop courtesy of Vince Clarke (formerly of Depeche Mode) and Moyet\u2019s blaring, soulful vocals. After the duo disbanded in 1983, Moyet immediately set out forging her solo career and hitting pay-dirt instantly with her sublime solo debut, 1984\u2019s <i>Alf. <\/i><\/p>\n<p class=\"MsoNormal\">After that initial success, though, it wasn\u2019t all smooth sailing as Moyet fought for more creative control of her career and a better deal from her labels. There was a period of relative inactivity during the late \u201890s, and following a rebooting of her career in the early 2000\u2019s, Moyet has been steadily releasing her albums with decent gaps in between each one. I have enjoyed most of them (<i>The Turn<\/i> from 2007 and <i>Hometime<\/i> from 2004 are standouts), and this year\u2019s release, <i>The Minutes,<\/i> is another fine album from this wonderfully talented singer-songwriter. <\/p>\n<p class=\"MsoNormal\">Produced by new collaborator Guy Sigsworth, who also wrote the album with Moyet, <i>The Minutes<\/i> sounds freshly modern but also has that distinct sound that recalls Moyet\u2019s glory days with Yazzoo. Her voice is deeper and more sensual that it has ever been, which she uses to great effect on the beautiful \u201cFiligree.\u201d Thatvoice just as quickly turns to thinly veiled anger on \u201cRemind Yourself,\u201d my new favorite breakup song (more subtle but just as direct as Madonna\u2019s \u201cGang Bang\u201d from last year). <\/p>\n<p class=\"MsoNormal\">There are also some killer dance tracks to be found here, like the electronic gem \u201cApple Kisses\u201d and the more straightforward pop of \u201cWhen I Was Your Girl.\u201d \u201cChangeling\u201d is the most ambitious track on the album and Moyet handles it with ease, hitting her higher register with confidence to lift the song into the stratosphere. Even the moodier album tracks like \u201cHorizon Flame\u201d and \u201cA Place To Stay\u201d offer weight and emotion to the record that helps keep it from just sounding good; there is style but also a hefty dose of substance, too. <\/p>\n<p class=\"MsoNormal\">The most unique moment here is without a doubt the closer, which is also my favorite track on the album, the brilliant \u201cRung By The Tide.\u201d The track builds beautifully from a slow-burning darkness to an orchestrated chaos that really brings together all of the elements that make this album as a whole so enjoyable.\u00a0 <\/p>\n<p class=\"MsoNormal\"><i>The Minutes<\/i> is without a doubt one of the best albums I have heard all year and it\u2019s also a firm reminder that Alison Moyet is capable of matching it with the best of them.<\/p>\n","protected":false},"author":67,"featured_media":31675,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[9257],"rating":[5613],"class_list":["post-43383","review","type-review","status-publish","has-post-thumbnail","artist-alison-moyet","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/43383","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/67"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=43383"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/43383\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/31675"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=43383"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=43383"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=43383"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}