{"id":43504,"date":"2014-01-29T00:00:00","date_gmt":"2014-01-29T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/greatest-hits-19\/"},"modified":"2014-01-29T00:00:00","modified_gmt":"2014-01-29T00:00:00","slug":"greatest-hits-19","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/greatest-hits-19\/","title":{"rendered":"Greatest Hits"},"content":{"rendered":"<p class=\"MsoNormal\">Nazareth chruned out a prolific discography for A&#038;M between 1973-1982, offering a couple of minor hits before and after their 1976 effort <i>Hair Of The Dog<\/i>, their best and most complete album. Many listeners will be familiar with that tune, the awful cover of &#8220;Love Hurts&#8221; and maybe a couple of others depending on how good their local classic rock station is and how deep their love of &#8217;70s hard rock goes.<\/p>\n<p class=\"MsoNormal\">For that audience, or for those who love &#8220;Hair Of The Dog&#8221; and want to hear more, A&#038;M&#8217;s <i>Greatest Hits <\/i>is the best introduction, and i would go so far as to say it is the only Nazareth anybody truly needs along with <i>Hair Of The Dog<\/i>. The Scottish band never aspired to anything more than good-time hard-rock entertainment, something you could boogie and\/or drink to when you can&#8217;t find your Aerosmith records.<\/p>\n<p class=\"MsoNormal\">The hard-driving &#8220;Razamanaz&#8221; is certainly one of the fastest songs of 1973 and packs one hell of a punch, while &#8220;Broken Down Angel&#8221; and &#8220;Go Down Fighting&#8221; fit nicely in the Aerosmith\/AC\/DC approach to rock. The derided cover of Joni Mitchell&#8217;s &#8220;This Flight Tonight&#8221; is actually a very good glam rock interpretation of the piece and is a smart choice to lead off this set, while &#8220;Hair Of The Dog&#8221; remains a crude, trashy classic with an indelible riff.<\/p>\n<p class=\"MsoNormal\">Dan McCafferty&#8217;s screech is an essential part of the Nazareth sound, one that works on most of the rock numbers but fails miserably on the cover of &#8220;Love Hurts&#8221; and the early wannabe Who &#8220;My White Bicycle.&#8221; When he tones it down, as on &#8220;Carry Out Feelings&#8221; and the straightup lunkhead 12-bar blues of &#8220;I Want To (Do Everything For You),&#8221; the band briefly shows its depth.<\/p>\n<p class=\"MsoNormal\">Once the punk and disco revolutions hit, the band&#8217;s star faded fast, and so the songs from the 1977-82 period show a band grasping for direction. &#8220;Star&#8221; and &#8220;Love Leads To Madness&#8221; are directionless ballad, &#8220;Holiday&#8221; owes a huge debt to Fleetwood Mac and &#8220;Heart&#8217;s Grown Cold&#8221; is a sort of Meatloaf Broadway ballad that is as bad as it sounds. The long cover of &#8220;Morning Dew&#8221; is pretty good, and the closing live version of J.J. Cale&#8217;s &#8220;Cocaine&#8221; is a surprise, trading Clapton&#8217;s electric version for an acoustic guitar shuffle with some very good bass playing. One would expect the song to be pandering coming from these guys; instead, it is revelatory and shows the band was capable of more than what it offered.<\/p>\n<p>    In fact, most of this collection bears that out and shows a band with far better music than critics, time and the terrible &#8220;Love Hurts&#8221; would have you believe. No, this won&#8217;t change lives or rise above a party-hearty boogie-rock album, but as far as &#8217;70s hard rock and hits collections, this does its job well on both counts.<\/p>\n","protected":false},"author":45,"featured_media":31793,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6068],"rating":[5612],"class_list":["post-43504","review","type-review","status-publish","has-post-thumbnail","artist-nazareth","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/43504","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/45"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=43504"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/43504\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/31793"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=43504"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=43504"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=43504"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}