{"id":43565,"date":"2014-03-03T00:00:00","date_gmt":"2014-03-03T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/st-vincent\/"},"modified":"2014-03-03T00:00:00","modified_gmt":"2014-03-03T00:00:00","slug":"st-vincent","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/st-vincent\/","title":{"rendered":"St. Vincent"},"content":{"rendered":"<p class=\"MsoNormal\">Mature, intelligent, quirky and catchy, this is indie pop that does the genre justice.<\/p>\n<p class=\"MsoNormal\">Mind you, I don\u2019t know much about indie pop. I tend to think of it as the acoustic shoegazing overly precious stuff that pipes out of Starbucks and hip bookstores in college towns, the sort of music upper-middle-class white kids listen to when not listening to NPR and driving eco-friendly cars with the same size and horsepower as a hair dryer. Or maybe I\u2019ve been living near Ann Arbor for too long.<\/p>\n<p class=\"MsoNormal\">Anyway. <i>St. Vincent <\/i>is Annie Clark\u2019s fourth solo release and the sort of album that makes you want to dig into the back catalog to see what you missed. The music is personal, smart and brings memorable characters to life, thanks to Clark\u2019s voice that is approachable but with a sarcastic edge. She collaborated with David Byrne (Talking Heads) in late 2012 and the spirit and sound of Byrne\u2019s old band seeps through here, most notably on the nervy \u201cRattlesnake,\u201d \u201cPsychopath\u201d and \u201cBring Me Your Love,\u201d which changes directions like a wind vane in a tornado.<\/p>\n<p class=\"MsoNormal\">Pop radio would be better off if it stopped playing Miley Cyrus tunes and started playing stuff like \u201cBirth In Reverse,\u201d which is all distorted guitars, cheerful angular rhythms and a catchy chorus. Other highlights are many: \u201cPrince Johnny\u201d is a moody, detailed story of an ex, \u201cDigital Witness\u201d is willfully artificial befitting its title, \u201cHuey Newton\u201d and \u201cI Prefer Your Love\u201d employ slow, trippy, faux-electronic beats to back up Clark\u2019s voice, and \u201cRegret\u201d is a garage-meets-psychedelic tune that suggests a female alternative to Stone Temple Pilots. <\/p>\n<p class=\"MsoNormal\">Clark\u2019s wit shines through the songs; she can sing with detached irony like Byrne but chooses, at the right time, to open up just enough, bringing to mind Elvis Costello and Neko Case (especially in the closer \u201cSevered Crossed Fingers\u201d). The approach is precise and a bit above it all \u2013 one wishes Clark would let loose like she did on <i>Strange Mercy <\/i>\u2013 but still fun in a reserved sort of way. <\/p>\n<p class=\"MsoNormal\">Calling this pop music is wrong, yet it\u2019s not as willfully downbeat as most indie pop-rock, choosing instead to forge a path of its own. A cursory listen and glance at the cover art suggests this music takes itself seriously \u2013 another hallmark of the genre \u2013 but Clark\u2019s guitar playing, humor and the twists in the songs reveal themselves quickly. Confident yet approachable, the kind of album where you start at Point A and end at Point 13.2 without knowing how the hell you got there, <i>St. Vincent <\/i>is mostly a winner throughout.<\/p>\n","protected":false},"author":45,"featured_media":31845,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[9347],"rating":[5615],"class_list":["post-43565","review","type-review","status-publish","has-post-thumbnail","artist-st-vincent","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/43565","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/45"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=43565"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/43565\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/31845"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=43565"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=43565"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=43565"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=43565"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}