{"id":43593,"date":"2014-03-20T00:00:00","date_gmt":"2014-03-20T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/nothing-to-lose-2\/"},"modified":"2026-07-25T07:31:31","modified_gmt":"2026-07-25T07:31:31","slug":"nothing-to-lose-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/nothing-to-lose-2\/","title":{"rendered":"Nothing To Lose"},"content":{"rendered":"<p class=\"MsoNormal\" style=\"line-height: normal\">Dave Adkins has been around bluegrass music for a little while, and is familiar to some fans from his previous effort with Dave Adkins and Republik Steele. His 2014 solo release, <i>Nothing To Lose<\/i>, is a precursor to him teaming up with Edgar Loudermilk for a new band. <i>Nothing To Lose<\/i> is really brilliant bluegrass. Adkins has a strong voice that could easily fit into blues or rock, and he brings that sound to the bluegrass genre well, much like the <a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/hammer-down\/\">SteelDrivers<\/a> does. This release, on Mountain Fever Records, is well produced, too. With Adkins&#8217; Republik Steele release, his bluesy vocals often didn&#8217;t seem to sit well within the whole mix and the background vocals to his lead never seemed well matched. But on <i>Nothing To Lose,<\/i> everything is seamless. Sssistance from <a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/artist\/jason-davis\/\">Jason Davis<\/a> on banjo and <a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/artist\/alan-bibey-wayne-benson\/\">Wayne Benson<\/a> on mandolin give him some quality backing.<\/p>\n<p class=\"MsoNormal\" style=\"line-height: normal\">Adkins\u2019 soulful blues lead vocals are apparent from the very start. &#8220;Mistaken Heart&#8221; is a heartbreak tune that drives and hooks the listener into Dave&#8217;s voice right away. &#8220;Put Some Grass In It&#8221; is an acknowledgment that Adkins&#8217; style of bluegrass may not be the way that old traditional artists of yesteryear played, but he loves it all the same. Ironically, &#8220;Silence Is Golden&#8221; is a tube worthy of the king of traditional bluegrass Jimmy Martin himself, as is the very well written &#8220;Tennessee Whiskey.&#8221;\u00a0<\/p>\n<p class=\"MsoNormal\" style=\"line-height: normal\">Two &#8220;jailhouse&#8221; tracks stand out as well. &#8220;At Least It Wasn&#8217;t Life&#8221; is a tongue-in-cheek barnburner that chain gang life is better than life in prison. &#8220;Pike County Jail&#8221; is a standout track, pushed as the lead radio single, about a moonshiner who is caught and put away in the Pike County jail (in good old eastern Kentucky). Speaking of moonshine, &#8220;Moonshine In The Moonlight&#8221; is a strong tune that sounds a little like &#8220;Old Henry Hill&#8221; from the Boxcars, but does well on its own as a mix of honest family values clashes with the moonshiner life by night.\u00a0<\/p>\n<p class=\"MsoNormal\" style=\"line-height: normal\">Along with the blues drive and the bluegrass barnburner, Adkins can slow it down well, too. &#8220;Pretty Little Liar&#8221; is slow and melodic and sounds a lot like a heartbreaking love song until it suddenly turns into a murder ballad. This tune is co-written with Loudermilk, who also sings and co-produces the album.\u00a0 It&#8217;s also pretty funny that this track immediately follows the album\u2019s lone gospel tune &#8220;I Can&#8217;t Even Walk.&#8221; That&#8217;s one of the endearing things about bluegrass \u2013 sacred songs can sit comfortably alongside secular tracks about whiskey, moonshine, prison and murder and it all feels right.\u00a0<\/p>\n<p>    <i>Nothing To Lose<\/i> is a release for which Adkins should be proud and fans will look forward to his next effort with a band. If future albums are as good as this, then he will be a very successful bluegrass star.<\/p>\n","protected":false},"author":88,"featured_media":31871,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[9360],"rating":[5613],"class_list":["post-43593","review","type-review","status-publish","has-post-thumbnail","artist-dave-adkins","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/43593","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/88"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=43593"}],"version-history":[{"count":1,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/43593\/revisions"}],"predecessor-version":[{"id":52038,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/43593\/revisions\/52038"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/31871"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=43593"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=43593"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=43593"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=43593"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}