The year was 1966. The place was the Kentucky home of pianist Terry Adams, The event was the formation of the New Rhythm & Blues Quartet. Three years later, they released their self-titled debut album for the Columbia label.<\/p>\n
Now, spanning nearly 50 years, over 20 studio albums, and thousands of live performances into their career, Adams has been the one constant. A number of musicians have been a part of the band but he has remained the driving force behind the music. In addition to Adams, the current lineup features guitarist Scott Ligon, bassist Casey McDonough, and drummer Conrad Choucroun.<\/p>\n
The best word to describe NRBQ\u2019s music down through the years is versatility. Their music has explored rockabilly, jazz, blues, rock, pop, and even a little Tin Pan Alley thrown in for good measure. Their new album, Brass Tacks, <\/i>may not cover all those styles but it retains the quirky blend of upbeat music that has become their landmark.<\/p>\n
There are two non-original compositions out of the 14 tracks. One is an inventive cover of the Rodgers and Hammerstein tune \u201cGetting To Know You,\u201d which they turn into a fun-filled romp.<\/p>\n
The originals travel in a number of directions. \u201cWaitin\u2019 On My Sweetie Pie\u201d is a nice acoustic piece. \u201cSit In My Lap\u201d is pop at its best. \u201cGreetings From Delaware\u201d is the band in rock mode. Adams reaches back to a song he wrote at the age of 15 with the jazzy \u201cPlace Far Away.\u201d Adams and Ligon co-wrote \u201cI\u2019m Not Here,\u201d which looks at peace and tranquility away from our busy world. The gem of the bunch is Adams\u2019 \u201cThis Flat Tire,\u201d which is his latest in a long line of car songs. <\/p>\n
NRBQ has been producing enjoyable music for almost half a century now. Brass Tacks <\/i>is another inventive album that may not push the limits of American music, but makes it a lot more fun.<\/p>\n","protected":false},"author":59,"featured_media":31990,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7313],"rating":[5615],"class_list":["post-43725","review","type-review","status-publish","has-post-thumbnail","artist-nrbq","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/43725","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/59"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=43725"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/43725\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/31990"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=43725"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=43725"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=43725"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}